Eight-year-old Nina is an impulsive and emotional girl, quickly igniting ideas and dropping them halfway. Nina would probably have abandoned her new hobby - music - too, but a strange thing happened: the instrument began to behave defiantly, play by itself and provoke the hostess in every possible way. And soon Nina was completely kidnapped along with him. The villains plan to subjugate the world with the help of the piano.
Viktor spends his free time trawling bars with ladies of questionable repute, from where he is picked up by a wife he doesn’t love, the mother of a child they never planned. Viktor himself was abandoned by his own father, his mother then committed suicide, and he was left to grow up in an orphanage. Years later, his errant dad returns, now a disabled felon, and Viktor discovers a timely legacy is in the offing – his father’s apartment. The documentation for securing dad’s move into an old people’s home is signed in a flash. Nevertheless, the only one that can take him is miles away and, what’s more, the invalid starts to recuperate during the journey, which is when their real problems begin.
황실 발레단에 입단한 마틸다는 자신에게 첫눈에 반한 황태자, 니콜라이 2세와 사랑에 빠진다. 그러나 금빛 궁전에서 은밀하게 나누던 두 사람의 사랑은 극심한 반대에 부딪힌다. 갑자기 닥친 사고로 왕위 계승 문제가 대두되고, 황실에서는 대관식을 서두르며 약혼자인 알릭스와의 결혼을 종용하는 가운데, 마틸다를 위협하는 사고들이 연이어 벌어지는데…
The film is an attempt to recreate the world of Marc Chagall and his myth within the genre of a folklore ballad. We are not exploiting Chagall's images, but are attempting to create a dramatized projection of his creativity onto the movie screen, relying on both, facts and fantasy (as Chagall himself would).The story is based on real events which occurred at the time of Chagall's short-lived period in Vitebskin in 1917-18, during which time he creates the Academy of Modern Art, inspired by his dreams of a bright and beautiful future. Many pictures by Chagall and Malevich are used in the film.
