Steve Holmgren

참여 작품

maɬni—towards the ocean, towards the shore
Executive Producer
An experimental look at the origin of the death myth of the Chinookan people in the Pacific Northwest, following two people as they navigate their own relationships to the spirit world and a place in between life and death.
499
Executive Producer
16세기의 한 정복자가 현대 멕시코에 발이 묶이게 되고, 499년 전 그와 같은 사람들로 인하여 식민화 된 멕시코에서 보통 사람들의 삶이 어떻게 생각지도 못한 방식으로 바뀌어 버렸는지에 대해 마주하게 된다.
Workhorse Queen
Legal Services
After an unlikely casting onto a reality television show, 47-year old suburban telemarketer Ed Popil leaves his job to pursue a full-time entertainment industry career as his drag queen alter ego, 1960’s era housewife Mrs. Kasha Davis.
Cane Fire
Executive Producer
Cane Fire examines the past and present of the Hawaiian island of Kauai, interweaving four generations of family history, numerous Hollywood productions, and troves of found footage to create a kaleidoscopic portrait of the economic and cultural forces that have cast indigenous and working-class residents as "extras" in their own story.
Empty Metal
Executive Producer
Adam Khalil and Bayley Sweitzer’s first feature as co-directors, Empty Metal takes place in a world similar to ours—one of mass surveillance, pervasive policing, and increasing individual apathy. The lives of several people, each inhabiting extreme poles of American social and political consciousness, weave together as each attempts to achieve some kind of forward motion, sometimes in contradiction, and always under the eye of far more controlling powers.
INAATE/SE/
Executive Producer
INAATE/SE/ re-imagines an ancient Ojibway story, the Seven Fires Prophecy, which both predates and predicts first contact with Europeans. A kaleidoscopic experience blending documentary, narrative, and experimental forms, INAATE/SE/ transcends linear colonized history to explore how the prophecy resonates through the generations in their indigenous community within Michigan’s Upper Peninsula. With acute geographic specificity, and grand historical scope, the film fixes its lens between the sacred and the profane to pry open the construction of contemporary indigenous identity.