Alexey Ageev

딸을 잃고 최근 아내와 이혼까지 한 알렉산드르는 아버지와 함께 지내고 있다. 어느 밤, 차를 타고 가던 두 사람은 한 주유소에 들른다. 우연히 그곳을 지나던 갱단 두 명과 시비가 붙어 알렉산드르는 중상을 입고 아버지는 살해 당한다. 갱단은 유일한 목격자인 그마저 제거하고자 하지만 실패한다. 가까스로 살아난 알렉산드르는 영원히 기억 뒤에 숨기려 한 잔인한 과거를 끄집어내고 무자비한 복수를 시작한다.

카트야 코로예바는 모델이 되기 위해 엄마를 속이고 아부다비로 떠난다. 들뜬 마음도 잠시, 도착 후 자신이 아랍 남자에게 팔려갈 지도 모르는 현실에 직면한다. 하지만 엄마의 집착에서 벗어난 그녀에게는 주위의 모든 것들이 멋져 보이기만 하는데... 새로 사귄 친구들도, 자신을 사갈지도 모르는 아랍 남자도, 물질과 돈, 모든 게 그녀에겐 너무 소중하다. 원하는 것을 얻기 위해 자신의 몸을 내어주는 그녀들이지만 돈에 대한 욕망도 애정에 대한 욕망도 그녀들에겐 너무나 솔직하고 순수한 욕심이다. 비열한 탐욕의 세상에서 당당함을 잃지 않으려는 그녀들이 의지할 수 있는 건 오직 자신과 서로 뿐...

Orléans is a typical provincial Russian town on the banks of a salt lake called Yarovoye. The town is 'steeped in evil'. But it isn't some great evil. This evil is of a banal and everyday type: Lida the hairdresser has indiscriminate affairs, followed by numerous abortions; Rudik the doctor enjoys an endless supply of women, thanks to his position, neglecting his paralyzed father who lives with him and hoping the old man will die soon; the local officer of the law has no qualms about committing murder; a magician from the local circus might actually be sawing women in half on stage... One day, a mysterious man appears in this quiet backwater town. He goes by the title of the Executor: at least that's what it says on his business card...

There is an ancient ritual known to humankind for more than a hundred years...According to the legend, an ominous entity known as The Queen of Spades can be summoned by drawing a door and staircase on a mirror in the darkness, and by saying her name three times. The Queen of Spades gets her energy from reflective objects; she cuts locks of hair from those asleep, and those that see her go mad or die. Four teenagers decide to call The Queen of Spades as a joke. But when one of them dies of a sudden heart attack, the group realizes they are up against something inexplicable and deadly dangerous.

In cities like Paris there are countless people from Eastern Europe who have forsaken their homelands because they can see no future there. Lucia and her little daughter Marussia are two such people. They have been thrown out by the Russian acquaintances they were staying with and must tramp the streets with their trolley suitcases searching for somewhere else to live. A Russian Orthodox priest offers them their first night's shelter. They spend the second night in a homeless hostel and party through the third with a chance acquaintance. On the fourth night they sleep clandestinely in a cinema and on the fifth with a Russian artist in a hotel … Lucia is good-looking, dresses elegantly and is certainly not shy of men. This serves the mother and her daughter well. In spite of all the uncertainties in their lives, the two frequently share tender moments.

A cyberstranger, a deaf baker, hipsters and Crimea, all in the first part of Sergei Loban's dilogy. Love. This is a performance not to be missed! A love story between a fragile girl who daydreamed of becoming a princess and Cyberstranger, a mysterious young man hiding behind a nickname. A sea of tears and an abyss of despair! Can Cinderella and the Invisible Man be together? Step right up, step right up! Friendship. Light the lights! There is a show in town today! Here is a story of a deaf young man with a flaming heart and a boy with an ice shard in his eye. Witness insidious betrayal and unbending courage! Danko and Kai – fire and ice collide! Will the universe survive the battle of the elements? A spectacle you have never seen before and will never see again!

1990s. Gangster Kiev. A team of four men is assigned to deliver a girl from Prague, nicknamed "Alien", the sister of a recently arrested criminal called Babai, whose testimony could damage some important people.

Rafshan and Dzhumzhud, migrant workers from Nubarashen, illegally come to Moscow, where the team leader Leonid received an order for super-expensive repairs from one oligarch. Having lost in the capital the “nationalist”, Rafshan and Dzhumzhud are trying to find and save him, wreaking havoc and destruction everywhere. But in the most hopeless situation, fate turns to guest workers - Rafshan and Dzhumzhud learn a terrible secret that will change everything ...

The genre of the film DUST could be called fantastic realism or existential drama with elements of the fantastic. Dust means the haste in which people live. Dust is a common misconception, the natural clogging up of the brain. Specks of dust how scientists perceive people, scientists who think they know more than anyone else about the universe.