Emmeli Stjärnfeldt

The influencer Isabell is going to test Punani Steam in front of her followers. But what was supposed to be a shiny beauty post gets unforeseen consequences and when Isabell tries to explain the situation to the uncomprehending nurse over the phone, it all seems far from her glamorous internet persona.

Musse is a mannerly local doctor trying to live by the rules, but the challenges from his environment threaten his ability to control situations and he becomes the person he despises.

Erin escapes from a brothel. Desperate for money she cheats her way into a job at a nursing home but ends up stealing cash and going on the run, kidnapping one of the patients in the process. But Erin's frantic escape gradually turns into an inspirational and revealing road trip due to the unconventional relationship which develops between her and her kidnap victim, a seventy-year-old man.

창고를 개조한 세트장, 비주얼 아티스트이자 영화감독 안나 오델이 실험을 시작한다. 목표는 오늘날의 사회가 남녀에게 규정한 젠더 역할에 도전하는 것. 그녀는 남성성의 아이콘인 배우 미카엘 페르스브란트와 7명의 또 다른 탑 배우들을 초대한다. 이들은 그곳에서 함께 생활하면서 안나 오델과 미카엘의 분신을 연기하며 때로는 흥미롭고 또 때로는 불쾌한 상황을 마주하게 된다.

A support worker at an isolated residence gets disturbed when a silent newcomer arrives, dressed as a western heroine.

The girlfriend Klara has recently fallen in love and wants nothing more than to hang out with her boyfriend. The mother-of-two Anna clocks how long it takes for her husband to cook baby formula. The ex-wife Vera can't let go of her ex-husband. The feature-film debuting Katja Wik presents a squib right on the money about women's tendency to, both consciously and unconsciously, limit themselves in their close relationships of two. Each frame conveys the film's theme of power manipulation and Katja Wik's neologism "victim-mentality rhetoric" (offerrollsretorik) is used by all parties as an effective weapon. Without stagnating in bitterness, The Ex-wife serves as a funhouse mirror reflecting this disturbing trait, which most of us can recognize, but which few dare to acknowledge

Erika is mentally bruised and starts group therapy with people seeking absolute anonymity.

A short film about women who is comfortable in their role as victims.