A story about the beginning of life. Having lost their parents early, Alyosha and Nadya were not left alone - the father’s friend and the people around them helped the children remain kind and open in this difficult world of adults ...
A satirical comedy with elements of metaphysical horror about religion in rural 1960s Soviet Russia. Notable for using first-person pseudo-documentary "found footage" technique framing the movie as the creation of the protagonist, who is returns to his home village from the city to discover that a local drunk has formed a doomsday cult.
On the outskirts of the provincial town, Yevdokim and Yevdokiya live, raising foster children. Yevdokim works at a factory, Yevdokiya is a housewife. The family seems to be safe and happy: the only trouble is that Yevdokiya cannot forget the love of her youth. This Yevdokim cannot stand and offers Yevdokiya freedom, while he will remain with the children. But all these contradictions are drowned in mutual love for children and for each other.
AYoung engineer Pavel Kaurov goes to his first destination — to the port city of Sibirsk. He is appointed to lead a group of cranes: gantry and floating. After several troubles Pavel mastered the port work and received a serious assignment. Meanwhile, his fiancee Nina, an architect by profession, is arriving in Siberia. However, besides Pavel, fellow students came to the station to meet her — Petunin's brother and sister, in whose house she is staying. Soon Annushka, who has long loved Pavel, arrives. From that day on, he had trouble after trouble. After a crane accident, which happened through his fault, the hero pulls himself together and does everything to regain the confidence of the brigade...
