Executive Producer
When 18-year-old South African runner Caster Semenya burst onto the world stage in 2009, her championship was not celebrated, but marred by doubt, and her personal medical records leaked to international media. With some women's naturally high androgen levels deemed a performance advantage, the International Amateur Athletics Federation (now World Athletics) ruled that in order to compete, these female athletes must medically alter their healthy bodies. Category: Woman focuses on four athletes from the Global South who are forced out of competition by these regulations. The public scrutiny and policing of their bodies raises issues of racism, sexism and denial of their fundamental human right—who they are. Following up on her award-winning film Toxic Beauty, Phyllis Ellis exposes an industry controlled by men who put women's lives at risk, while this ongoing policing of women's bodies in sport remains, in a more nefarious way, under the guise of fair play.
Producer
식당 주방은 과도한 업무와 수면부족에 시달리는 사람들의 엄청난 스트레스로 터질 듯한 긴장감이 꽉 차 있는 곳이다. 영역 구분이 엄격하고 서열이 낮은 사람은 부당한 대우를 감내한다. 하지만 유명 주방장의 익숙한 독불장군 행세를 보는 것도 이제 한계에 다다랐다. 여성들이 주방의 지휘권을 잡기 시작하면서, 한 때 관행으로 여겨졌던 노동 환경은 젊은 세대에게는 더이상 받아들여지지 않는다. ‘주방 문화’의 규칙이 다시 쓰여지고 있다. 영화는 관객을 주방 안으로 끌어들여, 보이지 않는 장벽을 깬 선구자들을 소개한다.
Producer
When two squeegee kids descend upon Sarah and her luxury sedan, the fuse is lit on a tense cat and mouse tale of captors and captives. Sarah is forced to continue her trip to an isolated cottage where the twisted trio bait and entice one another in a reckless search for truth.
