Camera Operator
Zeliha is back: Crazy and candid as ever, and she still gets herself into all sorts of trouble. Seeking love in the first film, Zeliha is now after a career in the sequel, as she dreams of becoming a cook and starts working in a luxury restaurant. Will Zeliha's dreams finally come true, or will the real world break her heart and leave her in disappointment? With heartwarming characters and an entertaining story by Gupse Özay, writer of the films Deliha and Görümce, Deliha 2 will once again leave audiences in laughter. The film also marks Özay's directorial debut.
Director of Photography
Eylem is a young woman. She lives in a small Kurdish town and works at a rug workshop. She thinks her nose is too large, and dreams of having cosmetic surgery. However, one of her brothers has joined the political organization, and many others from the same town have died in clashes. Will Eylem manage to find a way out of this challenging dilemma?
Camera Operator
상관 M의 지시에 따라 현장 요원 이브와 함께 임무를 수행하던 제임스 본드는 달리는 열차 위에서 적과 치열한 결투를 벌이다 M의 명령으로 이브가 쏜 총에 맞고 추락하여 실종된다. 이에 임무가 실패로 끝나자 전세계에서 테러단체에 잠입해 임무를 수행 중이던 비밀 요원들의 정보가 분실되고 MI6는 사상 최대의 위기에 빠진다. 설상가상으로 M의 과거에 얽힌 비밀로 인해 미스터리한 적 실바에게 공격을 받은 MI6는 붕괴 위험에 처하게 되고, 이 사건으로 인해 M은 책임 추궁을 당하며 퇴출 위기에 놓인다. 이 때 죽음의 고비에서 부활한 제임스 본드가 M의 곁으로 다시 돌아오는데...
Director of Photography
During the period of the Wealth Tax, where many non-Muslims in Turkey were forced to pay higher taxes, often in an arbitrary and unrealistic way. Nimet and Durmuş migrate from Niğde to Istanbul and take shelter with Durmuş's friend Bekir, who finds Durmuş a job at the inn. However, making a living by serving as a porter is not in line with Durmuş's ambitions. He wants everything Halit Bey has, the inn owner. Halit Bey begins to dispose of his property in order to pay the tax stipulated to his beloved wife Nora, who was treated in a nursing home. Wealth Tax has begun to affect everyone's destiny.
Steadicam Operator
Mavi Sürgün is a fictionalized account of one period of the life of a Turkish journalist who was condemned to exile for an article he wrote in 1925. He turned his punishment into a reward by creating a little paradise in what is today the holiday resort, Bodrum. In fact he is considered by some to be the first ecologist. The film concentrates on this latter aspect of his character and through flashbacks portrays the inner turmoil of a man who is trying to come to terms with his past. The slow pace is somewhat of a drawback, the flashbacks are often confusing and the protagonist is not always very convincing. But the photography of the country side is exceptional Kenan Ormanlar and the short appearance by a very theatrical Hanna Schygulla of Fassbinder fame adds a little spice to the drama.
