Music
As a couple with an age difference, Tong and Fang try to navigate their uncertain love relationship on a surfing trip, during which they face an unforeseen loss in life.
Music
The director gets a phone call from his aged mother. A stubborn woman, she worries about the future of the rest of the family. The father is a gambling addict in poor health; the brother is penniless yet sure of his talent as a medium. Looking back at the reasons he left 20 years earlier, Elvis A-Liang Lu creates a wonderful family portrait, touching and full of light.
Original Music Composer
The sound of wings reverberates through the air. In the murky half-light, race pigeon 043 has finally returned after seven years. The family's barely-maintained peace after their son's missing is shattered by 043's return, as the daughter brings a street boy home. Things begin to change gradually, so do the people. In the aftershock of the storm, what course should the wounded follow?
Original Music Composer
Jiang brings Yang Yi around as they hang out together. In the last year of middle school, Jiang transfers. Yang remembers vividly the day before the summer break, when they share a memorable afternoon in the bright sun and heavy downpour.
Music
"Two Funerals" is a film that focuses on portraits one individual, how does one's mind and values changes? How does social pressure affect him? Compared with the film about social issues, such a story reflects the intrinsic value of human beings.
Music
A night-year-old kid's divorced parents are both having new families. He leaves his father's house in Taipei and goes on a road trip to seek shelter at his mother's B&B in Hualien but only finds out there's no such place for him to call home.
Original Music Composer
광활한 고원지대에서 초라한 행색의 남자를 태우게 된 트럭 운전사 ‘진파’. 남자는 ‘진파’에게 20년 전, 자신의 아버지를 죽인 사람에게 복수하러 간다는 사연을 털어놓는다. ‘진파’는 그를 목적지에 내려주고 그를 계속 떠올리다, 자신과 같은 이름을 가진 그에게 이끌리듯 뒤를 쫓는다. 타인에 대한 집착과 열망의 끝은 어디일까?
Original Music Composer
뤄홍우(황각)는 아버지의 부고를 듣고 장례식에 참석하기 위해 고향 카이리를 찾는다. 돌아온 고향에서 그는 아버지의 고장난 시계에서 얼굴이 잘려나간 어머니의 사진과 함께 과거에 만났던 한 여인의 흔적을 발견한다. 그녀의 이름은 완치원(탕웨이). 뤄홍우는 현실인지 과거인지 꿈속인지 알 수 없는 시공간을 오가며 어머니와 관련된 과거, 그리고 알 수 없는 그녀와 함께한 여름에 대한 회상을 건져 올린다. 그녀를 통해 어머니를 만나고 이해하게 된 그는 그녀를 찾아 언제 끝날지 모르는 긴 여정을 시작한다.
Original Music Composer
조니라는 남자를 찾는 전화를 받기 시작한 수. 수의 아랫집에서 매일 자신이 읽었던 글을 낭독하고 이를 녹음해 반복적으로 듣는 리. 떠돌이 수리공으로 리의 아파트 인근에서 작업을 시작한 펑. 그들의 삶은 때로 교차하며 일시적인 아름다움은 그 뒤에 꽃을 피우게 되는데...
Original Music Composer
Anu is a tomboy. Although she was married off at a young age – as was customary in Taiwan in the 1970s – and had two children, she quickly divorced her violent husband and brought up her daughters alone. Since then her only relationships have been with women who, like her, earn a living as professional mourners at funerals. One of her daughters is filmmaker Hui-chen Huang. It’s considered taboo in Chinese culture to question a mother’s unconditional love, and yet this is exactly the topic of Huang’s intimate portrait. Mother and daughter set off on a journey together into the past during which Anu is confronted with questions that have tormented her daughter for years. In a series of long shots the two women discuss such topics as trust, abuse and cognisance, and yet most of these discussions end in painful silence. Shifting focus in order to plumb the depths of the depicted room, the director attempts to understand her mother by also talking to her mother’s siblings and ex-lovers.
