Europe, 1709. Russia and Sweden are at war. Two French duelists are exiled by King Louis XIV of France: one to the side of Czar Peter the Great of Russia, the other to the side of King Charles XII of Sweden. Although separated by war and allegiance, fate has not finished with them.
20세기 초 러시아, 조지는 사회주의 혁명활동을 벌이는 지하조직을 이끌며 러시아 전역에서 차르 체제의 고위 인사들을 암살한다. 그러나 이들은 가장 큰 임무였던 세르게이 알렉산드로비치 대공의 암살에 실패하게 되고, 혁명이라는 대의로 묶여 있던 개인들의 숨겨져 있던 욕망들이 하나씩 드러난다. 20세기 폭력의 역사에 대한 고찰을 담고 있는 웅장한 서사극으로, 러시아 혁명기의 혁명가이자 문필가였던 보리스 사빈코프의 자전적인 소설을 원작으로 하고 있다. - 제1회 충무로국제영화제
Day of the Full Moon, a series of vignettes from Russia past and present, summons the spirit of Ophuls’ La Ronde, Altman’s Nashville and Short Cuts, and the time-shifting strategies of Resnais (Mon Oncle d’Amérique) to tell provocative, connected stories illustrating the waltz of years and whim of memory. In 1948, a young man, a boy, and a waiter are captivated during the full moon by a mysterious woman in a lilac dress. The effects of this event ripple across the years, washing over more than 80 characters, including a disc jockey, a fairy princess, a gangster, Alexander Pushkin, and a nostalgic dog. But which of these are dreams, and which reality? Director Shakhnazarov continues his career-long focus on the intersection of past and present with this mysterious, exhilarating mosaic of humankind, which in the end both seduces and satisfies.
A music student is expeled from school because he loves jazz, a kind of music that represents the US capitalism. He hires two street musicians to form a dixie band, and goes from one city to another trying to gain fame.
Over officer Silvio laughed at the fate itself in the image of a brilliant and successful opponent. How not to challenge this fate! And how not to give her the right to shoot first?
