Murat Özgüllü

Forty-year-old Günel, whose only passion in life is to photograph inanimate objects, meets an energetic and sympathetic Şefik during the free Cyprus holiday that she won in the company lottery. The holiday, which starts with a beer in a luxury villa, by the pool, becomes unpleasant when Günel breaks his leg. Her only solace is meeting Nazli, who has the same name as her neighbor in Istanbul and is a nurse just like her. Watching Şefik in the neighboring villa out of distress, Günel witnesses an unexpected… murder? He can't be sure because of the hot weather and the drugs he takes.

The already complex connections of a group of artists living in İstanbul’s Cihangir district are becoming bizarre because of a camcorder entering their lives. A narcissistic director in which all the women are in love, two roommates connected by cable, a theater scene that can turn into a morgue concurrently, a nurse who resurrects the dead people, and a drug dealer who has no arms, sometimes the right, sometimes the left, sometimes both arms; these are protagonists of the experimental narrative that Onur Ünlü plays with time and space.

The already complex connections of a group of artists living in İstanbul’s Cihangir district are becoming bizarre because of a camcorder entering their lives. A narcissistic director in which all the women are in love, two roommates connected by cable, a theater scene that can turn into a morgue concurrently, a nurse who resurrects the dead people, and a drug dealer who has no arms, sometimes the right, sometimes the left, sometimes both arms; these are protagonists of the experimental narrative that Onur Ünlü plays with time and space.

Riza, a garbage man becomes obsessed in her old mother when he finds a woman's corpse in a garbage can. But someday he meets with his new neighbor,a beautiful widow and starts to lose track of reality, stuck between his love and her mother.