Yusuke Miyoshi

A polar bear who is very bored with various marine animals in the deep blue sea. It continues an ancient tradition of "Caricatures of Frolicking animals" in scroll painting-style; this time, "Frolicking Sea Animals," in animation form, with a play on Japanese and English language word-plays: "Hokyoku-Guma Suggoku Hima. / Polar bear bears boredom", "Kawauso Kawaisou./Other otter, poor otter," etc.

I'm the only one who can't live without an oxygen tank in the underwater world. No matter how suffocated I feel, I preserve peace and harmony by pretending the selfish girl and my friends with complicated family backgrounds don’t bother me.

Yui has become estranged from her boyfriend, who doesn't even wish her happy birthday. Her friend Aya introduces a fortune teller said to be the real deal. What does destiny hold for them? This is a romantic comedy made during self-quarantine.

Malice comes up abruptly. As if it is blinking. Capricious like a flapping insect. One day the boy finds a winged insect and crushes it out of disgust. Meanwhile, the elephant sees the whole situation but says nothing. From that day on, the boy is chased by shadows of the winged insects.

I was heading to junior high school one day when my maternal instincts suddenly kicked in. After being held hostage to those urges for a decade, I started to wonder if this feeling was really about motherliness. Virgin birth, genes, pregnancy... I journey through 10 years in search of the maternal.

One day a girl and a boy set off to reach their ideal place. However, the girl comes to realize that the place they had arrived was not what she had really wanted. As the scenery around them changes, they find their minds too exist in gradations.

사라와 료는 5년간 사귀어 왔다. 그들은 도쿄에서부터 아타미 근처로 여행을 떠난다. 28살 료는 사라와의 결혼을 준비하고 있다. 하지만 사라는 료와의 결혼이 내키지 않는다. 결혼에 대한 불안이나 반감의 문제를 넘어, 그녀는 불투명한 미래에 저항한다.

High school junior Hagi (17) quits school and is spending a lot of time at home when his father reveals that he has another house with a mistress. His father wants to end the relationship and asks Hagi to get the woman to move out. Hagi gets to know his father's mistress, and grows up in the process-

바닷가 마을에 있는 낡은 한 채의 ‘집’을 무대로 두 여성의 이야기가 평행하게 그려진다. 한쪽에 있는 사람은, 아버지가 실종된 뒤 어머니와 둘이 살아가는 열네 살의 세리. 또 다른 한쪽은 페리 위에서 기억을 상실한 자신을 발견한 사나. 두 사람은 대체 어떤 관계에 있는 것일까? 둘은 교차하지 않는 평행 세계에 있는 듯도 하지만, 낡아빠진 셔터, 계단, 창문에 드리운 반투명의 천, 유리 꽃병. 그러한 매혹적인 오브제가 이른바 개구부(開口部)가 되어 ‘저쪽’과 ‘이쪽’은 반전되기 시작한다.