R. Husein

A jilted, jealous woman hangs herself because she can't keep her fiance in check and then returns from the grave to make sure her former beau is never with another woman.

Rhoma is a successful musician, while his elder brother, Dendy, is a successful engineer. Then Rhoma starts a relationship with Rika, the daughter of Alwi, who is the best friend of Rhoma’s father, Hadi. One day, Hadi comes to ask Alwi for Rika’s hand in marriage. Rika mistakenly thinks that proposal comes from Rhoma, but it is Dendy who is proposing. Rhoma, who is currently having a show out of town, is very happy to hear about his brother’s engagement. He decides to rush home, even when his contract with the show has not yet completed. But Rhoma gets into an accident and loses his sight. So when he meets Rika, who has changed her name to Mira, he does not recognise her, not even from her voice. When Rhoma is recovering at the end of his treatment, Rika runs away. When she crosses the street, she is hit by a car and dies. Rhoma is there to witness it all.

Rhoma finds Camelia, a desperate girl attempting suicide, as she can no longer bear the physical and emotional torture from her stepmother, Joice, who accuses her of stealing a diamond. After being saved, she becomes good friends with Rhoma. Rhoma invites her to live with him by disguising her as a mute boy. But Rhoma’s mother sees through this disguise and throws her out of the house. Rhoma returns home after signing a contract for a show. He manages to convince his mother to accept her back. Then he searches everywhere for Camelia but he cannot find her. Sadly, Camelia has been tricked by Joice’s friends into being a prostitute. In the brothel, Camelia sees her stepmother. Rhoma reports Joice to Camelia’s father, who then informs the police. Joice is arrested and Camelia goes home with Rhoma’s mother.

The film tells the Cinderella, or Putri Abu (Indonesian equivalent) story that was made popular by a Walt Disney cartoon. It is about a girl who has to live with her cruel stepmother and stepsisters. A prince finally marries her thanks to a glass shoe that she accidentally leaves during a party.

Rhoma’s father, Subrata, a businessman living in Bandung, expects his son to be an Economics graduate. Rhoma instead pursues his love of music, which is considered lowly by his father. This often causes conflict between them and Rhoma is finally thrown out of the house. So Rhoma travels to Jakarta and calls himself Budi. He lives with a group of street musicians and when one of his friends is seriously ill and needs money for medical treatment, his father rejects his call for help. So he grabs the bag of Ani, who is looking after his father’s paperwork. Budi pays for his friend’s treatment and returns the important papers to Ani. Budi’s friend dies, but Ani and her parents sympathise with him. Budi is hired as a personal driver for Ani. Love grows between them. Meanwhile, Subrata follows his wife’s suggestion to match Ani to Rhoma, with the hope that Rhoma’s attitude will change after marriage.

Rhoma, aka Budi, a vagabond again, is hit by a motorcyclist on a rainy day. Budi is taken back by friends and treated. Meanwhile, Ani finally finds the sick Budi. They then meet often causing Surya to become suspicious and he finally catches them together at Budi’s place. Ani is forced home. Budi urges his friends to stop playing music on the street like beggars. He becomes a taxi driver while some of his friends sell newspapers or work as construction workers. Then Budi disguises himself with a thick moustache and sunglasses and goes to Ani’s house as a piano teacher. Now Ani and Budi can be together freely in her house. Meanwhile, a taxi passenger hears Budi singing to himself and offers musical instruments that he just bought. Budi forms a dangdut (traditional Indonesian music) group with his friends and calls it Soneta, which quickly gains success.

Parodying the TV police character Kojak, Leman, identifies himself with Kojak by his hat and lollipop, firmly stuck in his cheeks. He tries to help a woman by picking up a package that falls from her bag, and the package is filled with flour that he thinks is morphine. The woman turns out to be a flirtatious widow who wants to become a photo model. All the stories in the film are spoofs, and the suspected bandits reveal themselves as filmmakers.

A anti-narcotics police captain trails a drug dealer to the Philippines.

After her mother’s death, Yeyen’s father remarries and she now has a stepmother. Yeyen is then carried away by dreams and stories about stepmothers, and one day, after seeing an interesting event, she is so moved that she does not want to go home. She befriends homeless people and sees the joys of street life. Then the parents of her friend, Yoyo, help her realise that a stepmother is still a mother. She is advised to return home as her father, who accuses the stepmother of doing something bad to her, is frantic with worry. Yeyen finally goes home.

The colonial court sentenced Tohir harshly on 22 September 1938. The sentence is made harsher because the prosecutor, Hasan, discriminates more on Tohir’s lineage than his crime. But in fact, Tohir commits his crime out of necessity as his wife is pregnant and about to give birth. He is sentenced to hard labor in exile so when he finds out that his wife and child are dead, Tohir escapes and kidnaps Hasan’s son, Husin. He raises the son in a life of crime, but lives like a respectable man. Husin also lives a double life. He is loved by an innocent girl in the village, but in other places, he plays around with women. In his old age, Tohir becomes a drunk and then he finds out that the government has awarded Hasan for his services. He uses Husin, nicknamed Boy, to avenge himself by sending him to rob Hasan’s house. Husin fails and is sent to trial. There, while drunk, Tohir reveals who Husin really is. Hasan and his wife then welcome Husin back.

Four girls (Renny Asmara, Tjetty Wulansari, Aty Rochadiaty, Aminah Cenderakasih) live together in a boarding house. They are romantically involved with four different men (Iwan Taruna BA, Rachmat Kartolo, Pong Hardjatmo, Jopic Burnama). There are relationships that are affairs, platonic love, and the story of a secretary who is sleeping with her boss, but ends up marrying the director's employee. The early part of the film is filled with erotic scenes exploiting the girls, and later on, features comical moments.

Sri Lestari and her fiancé, Joni are invited to an empty house. Instead, he is met by a policeman who asks him to the police station for questioning. Joni then calls his future mother in law, Rahayu, who later on, pays a visit. When Joni goes back to the police station, Rahayu had left behind a letter after taking poison. The letter tells her life story, about her husband, Yono, who had many wives and liked to sleep around. This prompted Rahayu to get a divorce and start an affair with her former lover, Jufri. But Yono is angry when he finds out about the affair. He fights with Jufri, but ends up being killed by Jufri. In panic, Jufri runs out of the house and is killed by an oncoming truck. Then Rahayu goes to her aunt’s house claiming that Yono has remarried. Frans, the maid begins to blackmail Rahayu but Rahayu later poisons her. All of this happens when Lestari was five years old.

Firman inherits a piece of land and a hut from his late father. He works hard by selling fruits, to fulfil his father’s dream, of ensuring that his little brother, Agus, finishes his university education. Agus falls in love with Isma, a daughter of a middle-class tailor, Mrs. Slamet. Mrs. Slamet is a distant relative of Mrs. Dirham; a rich widow, who wants her son, John, to marry Isma. But Isma falls for Agus and John often disparages Agus, which infuriates Isma more and more. Finally Mrs. Slamet gives in and accepts Agus’ proposal, and even John is willing to pay the marriage expenses.

An Indonesian musical that comedically depicts of complex coming of age problems within a girl's dormitory, lead by Mrs. Siti.

Suro becomes obsessed with Ujung as a tool to take power over the village. His ambition stumbles when his daughter, Marni, falls in love with Kasan, an ordinary peasant from the same village.

An impending visit from a VIP causes chaos and confusion in the small, isolated village of Sukaslamet. Things take a hilarious turn when the herbal medicine seller is mistaken for the exalted guest and is accorded a ceremonial welcome in the most elaborate Javanese style.

Set in the 1930s, and narrated like a ballad from the past, "The Tiger from Tjampa" tells of how a young man, Lukman, seeks to avenge his father’s murder by learning pencak silat, a traditional form of self defence, based on the movements of animals.