Jakub Hrůša

Can the darkest moments of life also lift our souls? Drawing on his own experience in a Siberian prison in the company of misfits, murderers and theives, Dostoevsky was inspired to write his novel Notes from a Dead House, telling his brother at the time: ‘Believe me, there were among them deep, strong, beautiful natures, and it often gave me great joy to find gold under a rough exterior.’ In Janáček’s hands, Dostoevsky’s inspiration and the raw material drawn from an appalling world of incarceration find an even more powerful form of expression in his last opera, From the House of the Dead. Unfettered by conventional story-telling, Janáček wrote his own libretto, freely weaving together a series of stories of everyday prison life and of the fates of individual convicts.

담배공장에서 담뱃잎을 말아 생활하던 가난한 하층민 집시 여성 카르멘은 싸움에 말려 감옥에 갈 위기에 처하지만 군인 호세를 유혹하여 풀려난다. 다시 만난 호세와 카르멘은 사랑에 빠지게 되지만 몇 달 후 호세는 자신에게 싫증이 난 그녀의 마음이 투우사 에스카미요에게 있다는 것을 알게 되고 극단의 선택을 하기에 이른다.

A remote English country house, and old and faithful housekeeper, two young orphan children and an eager new governess sent down from London to look after them. But all is not quite as it seems in the sheltered world of Bly. Britten's brilliantly scored, insidiously compelling adaptation of Henry James's novella takes its themes of of childish innocence and adult corruption, then twists and turns them to disturbing and ultimately devastating effect.