Fabio Carneiro Leão

During the night lived in 2020 with denialism, an actor in rehearsal and confinement, his and the character who rehearses, one of the thousand offered by the novel “A lua vem da Asia” by Campos de Carvalho. How to circumvent the taxes imposed by space, time and bodies? Narrative and language are structuring devices in these conditions. What's the way out? A memory? The affection? The imaginary? Liberation takes place through the singular path, that of authorship, imagination and poetry.

During the night lived in 2020 with denialism, an actor in rehearsal and confinement, his and the character who rehearses, one of the thousand offered by the novel “A lua vem da Asia” by Campos de Carvalho. How to circumvent the taxes imposed by space, time and bodies? Narrative and language are structuring devices in these conditions. What's the way out? A memory? The affection? The imaginary? Liberation takes place through the singular path, that of authorship, imagination and poetry.

The first transgender in the brazilian army, Maria Luiza's story begins in Ceres (Goiás, Brazil), where she was born in July 20, 1960 - the same day we celebrate Santos Dummont's birthday, patron of the Brazilian Aviation. Since she was a child, she didn't consider herself as a boy. During puberty, she went through a vocal cord scraping process and a hormonal treatment to become manlier. Depressed, she dropped out of school. At 18 she enlisted in the Air Force, and being completely in love with airplanes, she saw an opportunity there. She was drafted into the military in 1979. It marked the beginning of 22 years of service as a military aircraft mechanic in Brasilia.

The sierras of southern Brazil, 1963. The son of an French man and a Brazilian woman, Tony is a young man with a profound love of cinema and poetry. After graduating from college he returns to his small town in rural Brazil, to find out that his father had left for good, back to France. Tony then looks for the company of his fathers friends in search of information and references of a lost male role-model. He becomes a school teacher and a male figure to kids, in an attempt to provide them with something he lacks himself. A series of developments lead him to a surprising final lead on his fathers' whereabouts and reasons for leaving.

In the middle of a quiet house in rural countryside of the state of Rio de Janeiro, an elderly couple lives with the limitations of old age. Divaldo shares his solitude with Myriam. She dies during sleep and the next day. Divaldo buries her in the backyard. After the funeral, he expresses mourning in a peculiar way.