Fabio Carneiro Leão

PT: Cleusa não é mais a mesma. Seu filho Will resgata fitas de vídeo com imagens antigas dela. E o que era para ser apenas nostalgia, o conduz a uma jornada mais profunda sobre sua relação, os afetos e as escolhas de sua mãe. EN: Cleusa is no longer the same person. Her son Will rescues videotapes with old images of her. What was supposed to be only nostalgia, leads him to a deeper journey about his relationship with his mother, and about her affections and choices.

During the night lived in 2020 with denialism, an actor in rehearsal and confinement, his and the character who rehearses, one of the thousand offered by the novel “A lua vem da Asia” by Campos de Carvalho. How to circumvent the taxes imposed by space, time and bodies? Narrative and language are structuring devices in these conditions. What's the way out? A memory? The affection? The imaginary? Liberation takes place through the singular path, that of authorship, imagination and poetry.

During the night lived in 2020 with denialism, an actor in rehearsal and confinement, his and the character who rehearses, one of the thousand offered by the novel “A lua vem da Asia” by Campos de Carvalho. How to circumvent the taxes imposed by space, time and bodies? Narrative and language are structuring devices in these conditions. What's the way out? A memory? The affection? The imaginary? Liberation takes place through the singular path, that of authorship, imagination and poetry.

Maria Luiza da Silva é a primeira transexual na história das Forças Armadas brasileiras. Após 22 anos de trabalho como militar, foi aposentada por invalidez. O filme investiga as motivações para impedi-la de vestir a farda feminina e sua trajetória de afirmação como mulher trans, militar e católica.

O jovem Tony (Johnny Massaro) decide retornar a Remanso, Serra Gaúcha, sua cidade natal. Ao chegar, ele descobre que Nicolas (Vincent Cassel), seu pai, voltou para França alegando sentir falta dos amigos e do país de origem. Tony acaba tornando-se professor, e vê-se em meio aos conflitos e inexperiências juvenis.

In the middle of a quiet house in rural countryside of the state of Rio de Janeiro, an elderly couple lives with the limitations of old age. Divaldo shares his solitude with Myriam. She dies during sleep and the next day. Divaldo buries her in the backyard. After the funeral, he expresses mourning in a peculiar way.