Ishaa Saha

This story looks at the time between the beginning and the end of your life, over time, behind time, and ahead of time, at the same time.

A reclusive, introverted singer-songwriter embarks on a journey of self discovery after he falls in love with an ambitious, pragmatic girl. They are forced to navigate their insecurities, fears, dreams and reality while battling their own loneliness and existential crisis.

The third film in the Sona Da Franchise. Watch how a blissful vacation turns into a quest of one of the greatest treasures that Bengal has ever known.

Kuntol and Sudarshan meet at the railway track where they have come to commit suicide.

Vivekananda flyover collapses on a crowded Posta street, pinning under it auto rickshaws, minibuses, pedestrians, traffic constables.

The story revolves around the life of an unmarried couple who live together. However, as we get to know every chapter of their lives we realize that they are troubled with individual commitments, deception, arguments and a hidden mystery that brings them together.

The film is an uplifting musical follows the journey of Tora (Ishaa Saha), a girl from the suburbs of Kolkata, to her marital home in London. Tora is in dissonance with the high-flying lives of her NRI doctor husband Ribhu and her council-woman mother-in-law Shanta, and thus starts searching for solace outside the bounds of her home. This is when Imran (Parambrata Chattopadhyay), enters her life and helps her embrace life on her own terms. The film closely portrays the lives of Bengalis in London and the alienation that is felt by new immigrants from abroad.

Judhishthir Dutta grows up to understand the plight of women in the kitchen and brings powdered spices and introduces that to Bengali society. From a small shop in Dorma Hata Street, the business of powder spices grows up to be an industry.

Mahananda is an ambitious project based on the life and works of author and activist Mahashweta Devi who had devoted decades of her life to uplift tribals, especially the Lodha and the Shabar communities of West Bengal.

Based on true events, Nagendra Prasad Sarbadhikari, "The Father of Indian Football", was the first Indian to play the sport and open a professional football club in the country.

A group comes to a village resort for a day's outing. Melange of people of different age groups with their pranks, frolics, idiosyncrasies and pasts. In the village they come to know about a legend. There is a large water body called Torulatar Dighi, where the ghost of Torulata larks beneath the dark water and kills boys. And the group,which is supposed to return to Kolkata that evening, gets stranded in the resort owing to a road block.

Mahim spies on Manmoth, a freedom fighter. Manmoth in turn keeps a sharp eye on Mahim to reveal his secrets to his wife.

Buro Sadhu is a film which speaks about a man's journey from boyhood to manhood - his disturbed family life, his relationships and his passion for films as a medium of storytelling.

Sona da with Aabir and Jhinuk embarks on his new adventure, a quest that will take them to the legendary Durgeshgor. The journey reveals that the Debroy family, the erstwhile zamindars in their princely mansion hold the key to a presumed rumour of a treasure connected with Plassey. With an amazing vibrant backdrop of Durga Puja in the princely Debroy mansion where the trio is invited for the occasion, one after the other clues is revealed testing Sona da`s wit and grit one more time leading towards the discovery of one of greatest treasures Bengal has ever witnessed.

Tuku has always believed that she is an unremarkable girl lacking any special talent. Her father wants to get her married, but her unassuming nature leads to a lot of rejections. Eventually, a respected family from Kolkata agree to an alliance, but upon one strange condition: the would-be bride should know how to knit a sweater. Tuku is sent to a relative's house to learn knitting, but here, she undergoes a transformation courtesy of the interesting friends she makes and Shammo, the impressionist she falls in love with. Will a reformed Tuku be confident enough to stand up for herself?

The sudden demise of his maternal uncle leaves budding lawyer Abir in charge of his ancestral property. Accompanied by his friend, philosopher, and guide Subarna Sen, aka. Sona da, Abir visits his ancestral mansion only to figure that his uncle has left behind for him a series of clues to unearth the hidden treasure of Mughal prince Shah Suza kept secured within the property. Jhinuk, Abir's crush, joins them in the quest. Soon, Sona da, Abir, and Jhinuk are caught in a web of mystery and deceit.

Sraboni / Shaon (Isha Saha) and Antor Sen (Aditya Sengupta) have been married for a two years and 5 months, and live in a joint family with Antor's parents, brother, sister-in-law and niece. Unbeknownst to her draconian, Rabindrasangeet-loving, idealist mother-in-law, Shaon has a career writing scripts for Bengali soaps (watching which too are strictly forbidden in the household). In contrast to the fiercely independent Shaon, Antor is usually indecisive and equivocates every time he is asked for his opinion on any matter. Shaon and Antor are unable to conceive because Shaon suffers from polycystic ovary syndrome - something which causes her a lot of mental anguish.

Paayel comes back to Indraneil's life after leaving him and their child. What will Ishaa do?