Frank Rorimpandey

참여 작품

Bunga, Don’t Let There Be Lies
Writer
Bunga (Sonia Isabella), ran away from the orphanage because she did not want to be accused as a liar. In his flight she starves and has to sing on the streets with a boy, meet criminals, etc. She was put in an orphanage by her father, Budi (Deddy Mizwar), for stealing and lying to her stepmother. Budi died after visiting Bunga. A car hit him. Orphanage administrators search for Bunga.
Bunga, Don’t Let There Be Lies
Story
Bunga (Sonia Isabella), ran away from the orphanage because she did not want to be accused as a liar. In his flight she starves and has to sing on the streets with a boy, meet criminals, etc. She was put in an orphanage by her father, Budi (Deddy Mizwar), for stealing and lying to her stepmother. Budi died after visiting Bunga. A car hit him. Orphanage administrators search for Bunga.
Bunga, Don’t Let There Be Lies
Director
Bunga (Sonia Isabella), ran away from the orphanage because she did not want to be accused as a liar. In his flight she starves and has to sing on the streets with a boy, meet criminals, etc. She was put in an orphanage by her father, Budi (Deddy Mizwar), for stealing and lying to her stepmother. Budi died after visiting Bunga. A car hit him. Orphanage administrators search for Bunga.
Takkan Lari Jodoh Dikejar
Story
This story begins with Yana (Nia Harun), who has been forbidden to go camping by her father, Hendra (Eeng Saptahadi). However, Hendra gives in when he sees Yana painting a picture of her mother Laksmi (Eva Arnaz), whom Hendra has never spoken of to Yana. It turns out that Yana had gotten the photo from the family servant. At the camp, Yana meets Yani (Ade Harun), who turns out to be her twin. The two girls then switch identities because they both long to meet the parent they have been separated from. They also hope to find a way to reunite their mother and father, whom they believe still love each other, but split up because Laksmi could not endure the interference of in-laws
Takkan Lari Jodoh Dikejar
Screenplay
This story begins with Yana (Nia Harun), who has been forbidden to go camping by her father, Hendra (Eeng Saptahadi). However, Hendra gives in when he sees Yana painting a picture of her mother Laksmi (Eva Arnaz), whom Hendra has never spoken of to Yana. It turns out that Yana had gotten the photo from the family servant. At the camp, Yana meets Yani (Ade Harun), who turns out to be her twin. The two girls then switch identities because they both long to meet the parent they have been separated from. They also hope to find a way to reunite their mother and father, whom they believe still love each other, but split up because Laksmi could not endure the interference of in-laws
Takkan Lari Jodoh Dikejar
Director
This story begins with Yana (Nia Harun), who has been forbidden to go camping by her father, Hendra (Eeng Saptahadi). However, Hendra gives in when he sees Yana painting a picture of her mother Laksmi (Eva Arnaz), whom Hendra has never spoken of to Yana. It turns out that Yana had gotten the photo from the family servant. At the camp, Yana meets Yani (Ade Harun), who turns out to be her twin. The two girls then switch identities because they both long to meet the parent they have been separated from. They also hope to find a way to reunite their mother and father, whom they believe still love each other, but split up because Laksmi could not endure the interference of in-laws
Akibat Kanker Payudara
Story
The film begins with a doctor explaining breast cancer and its detection methods. Then we learn that Kartika must have one of her breasts removed before the cancer spreads. To relieve her grief, she leaves for Switzerland, where she meets Maruli, a newly graduated doctor from Germany who works at a restaurant before going home. A romance occurs that results in marriage, even though his uncle does not agree with it, for the sake of a family tradition. After the marriage, Maruli is disappointed. He feels cheated after learning of Kartika’s breast removal. His mother is furious. He is reminded that his intention to study medicine is to help his mother, who was also left behind by her husband, Maruli's father, after her breast removal. He then returns to his wife, Kartika.
Akibat Kanker Payudara
Writer
The film begins with a doctor explaining breast cancer and its detection methods. Then we learn that Kartika must have one of her breasts removed before the cancer spreads. To relieve her grief, she leaves for Switzerland, where she meets Maruli, a newly graduated doctor from Germany who works at a restaurant before going home. A romance occurs that results in marriage, even though his uncle does not agree with it, for the sake of a family tradition. After the marriage, Maruli is disappointed. He feels cheated after learning of Kartika’s breast removal. His mother is furious. He is reminded that his intention to study medicine is to help his mother, who was also left behind by her husband, Maruli's father, after her breast removal. He then returns to his wife, Kartika.
Akibat Kanker Payudara
Director
The film begins with a doctor explaining breast cancer and its detection methods. Then we learn that Kartika must have one of her breasts removed before the cancer spreads. To relieve her grief, she leaves for Switzerland, where she meets Maruli, a newly graduated doctor from Germany who works at a restaurant before going home. A romance occurs that results in marriage, even though his uncle does not agree with it, for the sake of a family tradition. After the marriage, Maruli is disappointed. He feels cheated after learning of Kartika’s breast removal. His mother is furious. He is reminded that his intention to study medicine is to help his mother, who was also left behind by her husband, Maruli's father, after her breast removal. He then returns to his wife, Kartika.
Satu Mawar Tiga Duri
Writer
Hendra, a long-time bachelor and son of a wealthy family, falls in love with Rini. But Rini lives with her three uncles who are still unmarried and they become stumbling blocks for Hendra. Each of them wants Rini to marry different people. The choices are a theater actor, a boxer, and even a parachutist. Each of her uncles is fooled one by one. The person who finally helps Rini is her aunt, who blames the three uncles for being old bachelors, when they should be married.
Satu Mawar Tiga Duri
Director
Hendra, a long-time bachelor and son of a wealthy family, falls in love with Rini. But Rini lives with her three uncles who are still unmarried and they become stumbling blocks for Hendra. Each of them wants Rini to marry different people. The choices are a theater actor, a boxer, and even a parachutist. Each of her uncles is fooled one by one. The person who finally helps Rini is her aunt, who blames the three uncles for being old bachelors, when they should be married.
Arie Hanggara
Director
Based on the true story of a victim of child abuse in Jakarta, 1984.
Tapak-tapak Kaki Wolter Monginsidi
Director
This is the story of one of the heroes of independence from South Sulawesi - Wolter Monginsidi. Monginsidi is portrayed as a flamboyant young man, brave and daring yet emotional at times. He and his troops always ambush the Dutch until they are finally caught. His father is persuaded to sign the clemency form, which turns out to be a trap, set up by the Dutch. He receives the death sentence instead.
Perawan Desa
Director
The film is a "reconstruction" of the real event of Sum Kuning’s rape that happened 10 years before, and sums up the lack of justice in the Indonesian courts. Sumirah, is raped by four vandals but during the investigation, the event is given a ridiculous interpretation when Sum is forced to confess that she was trying to gain popularity for herself. During the trial, the true facts are revealed gradually and this ranks as one of the best courtroom films ever made complete with spirited and lively dialogue.
Si Doel Anak Betawi
Doel, a child growing up in a Betawi society, who is trying to break the pragmatism of the society that considers the Betawi people to be conservative by getting as high an education as possible. After his father's death in an accident, he and his mother becomes a seller to survive.
River of Love
A married man has two daughters with his mistress and then abandons her. Years later, the mother is killed in a train accident while the now-grown daughters become involved with prostitution, pimps, rape and incest.
Ananda
Rachim
Irma a.k.a Ananda must struggle through the obstacle of her life for which she might or might not earns something better for her life.
Dua Kali Duapuluh Empat Djam (2 X 24 Djam)
Norman’s house is robbed but one of the robbers, Bing, is captured when his car hits a building. Bing is the husband of Hayati, Norman’s ex-fiancee. The leader of the gang, Wikarta, kidnaps Bing’s wife and children to ensure that Bing will not confess to the police. Wikarta, is actually in love with Hayati, and takes the opportunity to win her heart. The victim of the robbery, Norman, decides to take matters into his own hands, and gangs up with Godfried, a reformed criminal. The police set their deadline: two times 24 hours. When they finally catch the crooks, it is proven that Bing was forced to join the robbers because he lost too much in gambling.