Doruk Kaya

What happens, when an ordinary family in one of the arguably most advanced cities in the world starts living in two different worlds? What happens, when that fine line between reality and fantasy begins to blur, when a computer game controls the space you live in, re-defines your real life? When a gigantic, green iguana is the only one that can see, how the people around it slowly lose themselves between these different worlds?

The sun rises on a Sunday morning in Berlin. On her way home, Derin finds herself thinking about what she left behind. She remembers why and how she moved abroad.

결혼식에서 축가를 연주하다 신부와 사랑에 빠진 집시 음악가, 피로즈. 결국 결혼식은 엉망이 되고, 신부는 가족들과 대립하게 된다. 이제 그런 신부를 구해줄 수 있는 건 피로즈뿐인데.

Duygu and Bahadır work for a company that acquires banks’ receivables and their job is to corner the debtor using psychological pressure and maximizing the money collection. Ceren, a young woman deep in debt, is their new target.

Didem and Ayse aren't able to find a job even though it has been a while since they've graduated from the university. In this time period in which these two young women step into adulthood and need to make money now - this period of time that is short for humanity, but lingering for them - the days are not much different from the previous ones. On the other hand, in order to able to stay in Istanbul, they must at least earn enough money to cover their rent, on the other hand, what they dream of, what want to do. They cannot find a way to earn money. On the edge of the metropolis, they are stuck in between the skyscrapers rising among the terrace of their home and the ruined apartment buildings.

Elif is 10 years old, her sister Ayşe is 13. It’s a sticky summer in 1980s Istanbul. When she has an accident, Ayşe spends the summer lying down. Elif drives her sister mad, for reasons she can’t grasp. Ayşe seems out of reach as if in a distant land.

AVDEL feeds his family with the salary of his old donkey, BOZO, who works in the waste department of the city of Mardin in Turkey. It is also home to his nephew, SALIH, who fled Syria because of the war. After BOZO’s “retirement”, Avdel must find a younger ass to continue to earn his salary. So traumatized by the war Salih returns to Syria to recover his.

Seventeen-year-old Yusuf comes home after spending four years at a detention center. His return to the family circle freshly recalls the act that his loved ones, bound by rigid tradition, forced Yusuf to commit.