Rafey Mehmood

영화감독 RK는 주연 마붑역을 자신이 직접 맡아 신작을 찍고 있다. 어느 날 편집실에서 긴급한 전화가 온다. 러쉬에도 네가에도 필름 속에 있어야 할 마붑이 사라져 버렸다는 것. RK는 영화 속 킬러에게서 도망치다가 현실세계로 빠져 나온 마붑을 발견하여 집으로 데리고 온다. 자신이 영화 속에서 빠져 나온 캐릭터인 줄 모르는 마붑은 보통사람처럼 행동한다. RK는 과연 마붑을 다시 돌려보내 영화를 완성할 수 있을까?

결혼 직후 남편을 잃은 여인. 애도할 새도 없이 그녀의 삶에 수많은 목소리가 들어온다. 머릿속을 혼란스럽게 하는 모두의 생각과 의견들. 그 와중에 남편의 숨은 비밀까지 드러나자 그녀는 고민에 빠진다.

Based on Rabindranath Tagore’s famous short story 'Kabuliwala', the film is about a young girl’s quest to discover more about her dead father’s friend who used to play bioscope shows for her as a kid.

Bauji resists his daughter's request to let her marry the man she loves as the villagers incessantly shame him. However, his opinion changes after he meets him and he decides to change his viewpoint.

Bored with his sex life, a man tries to convince his wife to swap partners.

An urban contemporary film about adultery, murder and betrayal in the film noir style. A simple story to which the director imparts a feeling of unrest and disquiet, catching the city in its various moods. The film breaks generic conventions, notably in the presentation of the private detective through his deglamourised life and his process of discovery of 'who did it'. It is not constructed through his point of view at all. In fact the policeman and the detective, the fact finders, are in the dark about the crime, to the very end.

Located in a seaside village in Maharashtra during the 60s, the film unfolds over two decades. It is a tragic tale of how the best of friendships can rupture over a trivial quarrel. Once a rupture takes place, there are always people who know how to turn a quarrel to their own advantage, even if the main adversaries are completely destroyed in the process.