Heba Khaled

Heba Khaled

출생 : , Damascus, Syria

약력

Heba Khaled was born in Damascus in 1986 and studied Arabic Literature at Damascus University. She worked as a radio commentator and as a freelance fixer for CNN, Al Arabiya and Reuters in Damascus and Beirut between 2011 and 2013. In 2014, she started collecting footage for her first short-film People of the Wasteland. The same year, she moved to Berlin where she assisted the filmmaker Talal Derki in the direction of his film Of Fathers and Sons, which has won the Sundance Film Festival’s World Cinema Grand Jury Prize in 2018.

프로필 사진

Heba Khaled

참여 작품

Under the Sky of Damascus
Under the Sky of Damascus
Producer
Experiencing violence is commonplace for Syrian women but they do not discuss the prevalence of – often sexual – exploitation for fear of revenge. A collective of young women want to break the taboo with a theatre project. But how free are they themselves?
Under the Sky of Damascus
Under the Sky of Damascus
Director
Experiencing violence is commonplace for Syrian women but they do not discuss the prevalence of – often sexual – exploitation for fear of revenge. A collective of young women want to break the taboo with a theatre project. But how free are they themselves?
People of the Wasteland
People of the Wasteland
Screenplay
People of the Wasteland is an experimental short-film, in a first-person point of view, depicting the clashes of Syrian fighters in the front line. In the chaos of war, the lines between right and wrong become blurred. This exclusive Go-Pro footage from inside war aims to remind us that in a territory where the landscape and the people are ephemeral because of war, only the camera can remain alive, and only the image of a certain moment can remain eternal.
People of the Wasteland
People of the Wasteland
Director
People of the Wasteland is an experimental short-film, in a first-person point of view, depicting the clashes of Syrian fighters in the front line. In the chaos of war, the lines between right and wrong become blurred. This exclusive Go-Pro footage from inside war aims to remind us that in a territory where the landscape and the people are ephemeral because of war, only the camera can remain alive, and only the image of a certain moment can remain eternal.