Mikes Billis

The Bastards have left the city behind. Their house in the countryside smells of nothing but summer. Five girls and five boys living in the moment, for the moment. No outsider comes around here, and all the insiders take turns standing guard, kissing each other, playing dead. They are still kids. They are your kids. They are our Bastards.

Heimlich is homely. Paris lives in an unhomely home. Serena wants a home, in a place you wouldn’t exactly call Paris. They drink. They talk. They merge. In water, beer and memory. A frog leaps. Strange. Stranger. Unhomely. Unheimlich. Stranger than home.

In May 2010, Pananagiotis, a student and ambitious musician, gets the chance to record an album for an American label. He drops his studies in Spain and returns to Greece to make music under the pseudonym Larry Gus. Years later, his good friend Vasilis Katsoupis decides to shoot a film about him.

In May 2010, Pananagiotis, a student and ambitious musician, gets the chance to record an album for an American label. He drops his studies in Spain and returns to Greece to make music under the pseudonym Larry Gus. Years later, his good friend Vasilis Katsoupis decides to shoot a film about him.