Reinis Aristovs

참여 작품

Let Go
Director of Photography
The most difficult moment in parents’ lives is when their children leave home. Valentina and her long-awaited and selflessly raised son Ruslan, live in a small Latvian town. Ruslan is now a teenager and a talented young pianist. The town they live in is too small for him to develop his talent, so he should head to Riga to continue his studies. Through this film we follow along the experience and the feelings of the mother who should let her son go - and leave her.
Mothers and Others
Director of Photography
What does it mean for a woman to take up the role of mother? The film follows four Latvian women during different stages of pregnancy. An ambitious dancer has to put her career on hold while being pregnant. A housewife expects her second child and fears postpartum depression recurring. An urban party girl becomes pregnant, decides to get married and move to the countryside to build a new home from scratch. A young entrepreneur and ex-punk welcomes her first child yet is haunted by the traumatic events from her past. All four women offer a unique insider point of view of pregnancy, as part of the footage is shot by the protagonists themselves. They go through a mix of emotions, highlighting that pregnancy, contrary to mainstream representation, is not only about the child - it is about the mother, too.
Therapy
Director of Photography
The film follows a thirty-year-old man’s efforts to introduce radical changes in his own life: to start visiting a therapist and preparing for the demolition of his bragging childhood home. Story chronicles the troubled relationship between Mārtiņš and his mother, just as he is about to tear down his childhood home.
If Trees Could Talk
Director of Photography
Deniss is a Russian-speaking young man working at a fast food chain and spending his days in a small, gloomy apartment where all the things still remind him of his dead grandmother. Once a week he takes the stage, becoming a stand-up comedian. His jokes come from his life, which might be called dull as well as bleak, and, as he puts it, his ‘uninteresting biography’.