For 49 years, Ah Eng and Dou E were trapped in the "513" timeline. In 1969, post-election tensions gripped Kuala Lumpur when the Cantonese street opera "Snow in June" showcased Dou E, portrayed by the troupe master. Amid a riot, Ah Eng and her mother sought refuge with the troupe, losing contact with her brother and father. In 2018, Ah Eng returned to Kuala Lumpur and unexpectedly encountered "Dou E" at the cemetery.
Trapped in the underground train tunnel system, a single mother’s resolve to protect her son is tested to the extreme as both of them are the few remaining survivors of an attack by a monster. Meanwhile in the control room, duty engineers fight desperately to rescue the trapped survivors.
Three former schoolmates—a married couple and a carefree bachelor—now middle-aged, reunite at a chalet. Hazy memories of the past are stirred up, leading to the resurfacing of a long-buried love triangle. The trio are left to confront their repressed feelings.
A mother, trapped in the comfort of memory and mourning, confronts her grief when she is invited to the wedding of her late son’s childhood sweetheart.
싱가포르의 대규모 매립지 공사장. 경찰관 록은 이곳에서 일하던 한 이주노동자 왕의 행방을 조사한다. 작업 도중 사고를 당한 왕씨는 본국 송환이 두려워 잠들지 못한다. 낯선 땅에서 인간적인 연결고리를 바라던 왕은, 사이버 카페에 드나들며 미스터리한 게이머와 가상의 우정을 쌓는다.
Boon moonlights by disposing bodies for a syndicate in Singapore. While Boon is aware that this is illegal, he takes comfort in knowing that the bodies are being "sent off" as right a way as possible by conducting funeral rites for them. However, Boon starts to question his actions when it hits a little too close to home.
For We Are Strangers reveals the consciousness of a prison counsellor, Xuan, who slowly succumbs to the trauma of her past after being assigned to the same man who assaulted her. The inmate is due to be released for a minor felony but fails to recognise her. Xuan's subsequent actions blur the line between victim and assailant, altering the viewer's perception of morality and retribution.
