Léa Chatauret

참여 작품

Le Fardeau
Editor
Soy niño
Editor
Bastian, a young trans boy, has to face a very difficult time in life: adolescence. It becomes even harder when he has to put his best efforts into asserting his individuality. From age 12 to 18, Bastian is filmed by his dear cousin Lorena who catches every glimpse of intimacy and difficulties. We witness how social and economical obstacles can put at risk Bastian’s transition.
Things I Could Never Tell My Mother
Editor
Humaira Bilkis has a problem: after a pilgrimage to Mecca, her mother, who was previously an emancipated poet, has now become devout. The filmmaker has to fight to get her to accept the camera, since her religion forbids images, while hiding her relationship with a Hindu man from Calcutta. Her film plays out like a closed-door documentary, spot-on and moving.
The Kiosk
Editor
In her debut feature, Alexandra Pianelli captures the unique world in and around her family’s Paris newsstand, presenting a film diary that lovingly documents her time working there. Sequestered behind the cramped counter, Pianelli films the world as it passes before her with a boundless sense of curiosity and compassion. iPhone or GoPro strategically set up before her, she records idiosyncratic interactions with charming regulars who drop by for their newspapers and a chat, or the lost passers-by simply looking for directions. Le Kiosque is a tender study of humanity, as well as a bittersweet sketch of physical media’s dying days as the newsstand’s future becomes increasingly unclear.
Dreaming Like Louis
Editor
On a summer holiday in the countryside, Louis and Paul spend the time alone making love throughout the day. But as Paul becomes distant, Louis finds connections in his dreams but sometimes his dreams aren't always the safest escape.
I See Red People
Supervising Editor
After twenty-five years spent in France, I return to Bulgaria, camera in hand, with a vertiginous suspicion: what if my family had collaborated with the political police of the communist regime? And what if they were part of the "red trash" that the demonstrators on the street want to see disappear? I decide to investigate and to film, constantly, ready for anything. My adventure transforms itself into a tragic comic odyssey; a film that combines espionage with family.
I See Red People
Editor
After twenty-five years spent in France, I return to Bulgaria, camera in hand, with a vertiginous suspicion: what if my family had collaborated with the political police of the communist regime? And what if they were part of the "red trash" that the demonstrators on the street want to see disappear? I decide to investigate and to film, constantly, ready for anything. My adventure transforms itself into a tragic comic odyssey; a film that combines espionage with family.
L'homme nu
Editor
Nicolas has been dumped by Louisa. He decides to take off his clothes and not leave his ex-girlfriend’s flat in the hope of reconquering her. A joyous comedy that knows no boundary.
Wolf's Skin
Editor
After a long absence it is hard for Soo Min, a young mother and cello player to resume her place in the family. She feels she has to compete with her six-year-old daughter for her husband's love.
빅터 영 페레즈
Assistant Editor
튀니지 출신의 유망한 유태인 복서 ‘빅터’는 파리에서 온 복싱 매니저 ‘벨리에르’의 눈에 띄어 형 ‘벤자민’과 함께 프로 복서 데뷔를 위해 파리로 오게 된다. 빠르고 민첩한 발에 영민한 두뇌까지 타고난 ‘빅터’는 수많은 차별 속에서도 매 경기마다 승리를 거두면서 유럽에서 가장 주목받는 선수가 되고, 마침내 플라이급 세계 챔피언의 자리에까지 오른다. 하지만 그는 2차 세계대전 중 독일군의 포로로 끌려가게 되고, 포로 수용소에서 헤어졌던 형 ‘벤자민’을 만나게 된다. 형제는 수용소에서 온갖 고초를 겪게 되고, 사령관은 유태인의 더러운 본성을 입증하겠다는 명목하에 ‘빅터’에게 헤비급의 독일병과 복싱경기를 치르게 하는데… 시대를 잘못 타고난 한 복싱 세계 챔피언의 목숨을 건 복싱 경기가 펼쳐진다!