Production Manager
An adventure between a father and his son, in a world where some humans have started mutating into other animal species.
Production Manager
Disaster movies tend to inhabit the close-but-not-too-close realm of the ‘what if?’, but Quentin Reynaud’s taut drama evokes a reality that is painfully immediate, as the world combusts around us. Alex Lutz (recently seen as the son in Gaspar Noé’s Vortex) plays a man determined to escape with his elderly father (the ineffable André Dussollier) from a wildfire that is rapidly approaching their forested area of southern France. The pair know all the local roads, and the secret detours, but when they are caught in a dead end, they seem to be running out of possible exits. At once road movie, claustrophobic jeopardy thriller and portrait of a prickly but tender father-son relationship, this finely acted and executed film expertly lays on the heat.
Production Director
Paris, 1981. The winds of change are blowing on election night and the French storm the streets, elated. But Élisabeth struggles to share the general mood of optimism. Her marriage is coming to an end and she will now have to support her family. She is distraught, and her father and teenage children are worried that her tears simply will not dry. But what if listening to her emotions could help her to start filling the blank page of her future? What if she were to write a letter on a whim to the host of her favourite radio programme? Or invite a homeless girl into her house? What would happen if she were to make the kind of gestures that actually change lives?
Production Manager
Sandra, a young woman forced to leave the south of France to flee a violent husband. Without attachment, she returned to Boulogne-sur-Mer, the city of her childhood which she left almost 15 years ago. She finds her mother there and a world she left behind. Without money, she is hired in a fish cannery where she befriends two workers. But one day, one of her colleagues tackles her insistently, she defends herself and kills him accidentally.
Production Manager
The story revolves around 22-year-old Laure, who is trying to find her feet. After performing brilliantly in her literature studies, she enrols as a communications officer in the Naval Fusiliers. She will quickly have to adapt to and assimilate the rules that apply within the institution. But Laure is a determined woman, and she has a thirst for knowledge – still. A thirst to learn to get to know and be comfortable with herself, and to find her place.
Unit Production Manager
마르탱(파브리스 루치니)은 빵집을 상속받으러 7년 전 노르망디에 돌아와, 그저 지루한 일상을 보내는 50대의 평범한 남편이자 아버지이다. 하지만 마르탱은 젊은 시절부터 소설 ‘마담 보바리’에 푹 빠져 있을 만큼 여전히 20대의 문학적 상상력을 가지고 있는 남자이다. 마르탱의 지루한 시골 일상에 작은 변화가 생긴다. 젊은 영국인 부부가 마르탱의 이웃으로 이사 온다. 마르탱은 새로운 이웃의 젊은 아내를 처음 본 순간 이상하리만큼 익숙하다. 남편이 자신들을 소개하는 순간, 마르탱은 놀라고 만다. “여긴 제 아내 '젬마 보바리'고 전 '찰리'에요.” ‘젬마(젬마 아터튼)‘와 ‘찰스 보바리’. 소설 ‘마담 보바리’의 주인공들이 마르탱의 이웃으로 온 것이다. 마르탱은 문학적 상상력을 발휘하고, 관능미 넘치는 젬마는 소설이 아닌 현실의 비극적인 결혼과 로맨스의 주인공으로 다가온다. 그러던 어느 날, 소설 속 비극이 실제로 일어난다. 젬마는 고향에 잠시 내려 온 귀족 플레리와 밀회하고, 그 모습을 마르탱이 훔쳐 보게 된다. 누구보다 소설의 끝을 잘 아는 마르탱은 젬마의 일거수일투족을 살피는데……
Unit Manager
어느 날 오후, 초등학교 앞 공원. 11살 재커리는 친구들과 다툼 중 막대기를 휘둘러 이턴의 앞니 두 개를 부러뜨린다. 아이들 싸움의 원만한 해결을 위해 한 거실에 모인 앨런(크리스토프 왈츠), 낸시(케이트 윈슬럿) 부부와 마이클(존 C. 라일리), 페넬로피 부부(조디 포스터). 교양과 이성으로 시작된 이들의 만남은 말꼬리 잡기, 비꼬기, 지난 얘기 또 꺼내 시비 걸기 등 유치찬란 말싸움으로 이어지고 유치하고 치졸한 말싸움은 엉뚱하게 같은 편 배우자를 향해 폭발하며 급기야 난장판 육탄전까지 벌어지는데...
