Christophe Pellet

출생 : , Toulon, France

약력

Born in Toulon in 1963, Christophe Pellet is a French author and director. He graduated from the FEMIS in 1991. As a filmmaker, he directed six films that were the subject of a retrospetive at the Cinémathèque Française in November 2016.

참여 작품

Et dans le flux, tu le perdras
Director
Léo and Kaspard, a young couple, live in Nanterre. Léo is fed up with Kaspar's reproaches and takes to social networks to make their love story public. Their breakup marks Léo's departure for Berlin, a city where he hopes to be reborn through contact with an alternative milieu. But the city's real estate speculation pushes Leo to the margins. Years later, Kaspar's biological daughter, raised by a couple of women, recalls this love story on a theater stage.
Léthé
Editor
On the island of Amorgos, during summer. Small monuments were erected at the scene of a fatal accident: a photograph, a few words, flowers, religious or pagan objects. The deceased "stayed there": dead in transit, on a road, frozen forever.
Léthé
Sound
On the island of Amorgos, during summer. Small monuments were erected at the scene of a fatal accident: a photograph, a few words, flowers, religious or pagan objects. The deceased "stayed there": dead in transit, on a road, frozen forever.
Léthé
Cinematography
On the island of Amorgos, during summer. Small monuments were erected at the scene of a fatal accident: a photograph, a few words, flowers, religious or pagan objects. The deceased "stayed there": dead in transit, on a road, frozen forever.
Léthé
Director
On the island of Amorgos, during summer. Small monuments were erected at the scene of a fatal accident: a photograph, a few words, flowers, religious or pagan objects. The deceased "stayed there": dead in transit, on a road, frozen forever.
Aujourd'hui, rien
Director
The writers Cesare Pavese and Jean-Luc Lagarce had a tragic destiny. The first committed suicide after a sentimental disappointment and the second died of AIDS. Sex holds a central place in their diaries.
Only the Fire
Director
At the end of June in Paris: Mireille accompanies his friend Thomas, a solitary and restless being, during a walk to Père Lachaise. Thomas is very agitated, worried. He confides to Mireille that he wishes to be cremated in the event of death. In September: after a period of holidays, Mireille returns at her home. She and his friends do not any more manage to contact Thomas. After investigation, Mireille learns that Thomas died in August, only. As he has no family his body was interred in the square of the needy of the new cemetery of Thiais. Mireille wants to honor the last wills of his friend, but the law is strict: to dig up the body and cremate it, the services of the city hall have to have the signature of a member of Thomas's family. Mireille learns that Thomas had a younger brother, Melchior. But But the young man, marginalized, abandoned for years by his older brother, refuses to sign the licence to dig up.
Here and There
Writer
One summer evening in a small town in France, two teenage boys, Clarinet and Piano, say goodbye. For twelve years, they rejoin each other at irregular intervals in the same town, discussing their ambitions as they drift apart. Michaël Dacheux's 'Here and There' is a delicate exploration of the eager aspirations of two young men, wise beyond their years yet still innocent in their experience.
63 Glances
Director
“I am a woman who does not know where she is going, but who, always, looks for beauty. As long as she does not flee me. Moritz, your beauty fled me. But I caught it and I carry it in me.”
Le garçon avec les cheveux dans les yeux
Screenplay
A woman sitting in front of a screen: we do not know if it is day or night outside. In this place, the light of the screens dominates that of time. The inner voice of this woman recounts a solitary and reclusive life and her confusion in front of an old black and white photograph that she has just e
Le garçon avec les cheveux dans les yeux
Director
A woman sitting in front of a screen: we do not know if it is day or night outside. In this place, the light of the screens dominates that of time. The inner voice of this woman recounts a solitary and reclusive life and her confusion in front of an old black and white photograph that she has just e