Georgy Lyalin

참여 작품

Длительные свидания
Director
Father Alexey (a member of the Auctioneer group Oleg Garkusha), an elderly, eccentric and kind priest, spends his days alone, except for visiting his sick brother and his daughter. One day he receives an assignment to visit a deaf girl Violetta (Vasilisa Perelygina) in prison, falsely accused of setting fire to a church. When Father Alexei recognizes her as an orphan, whom he baptized as Barbara in infancy, a new meaning appears in his life.
Crossroads
Screenplay
Artem Chagin, one of the countless "conquerors" of Moscow, receives news of the death of his father, who left them with his mother when Artem was still a child. The death of his father does not touch Artem, but wanting to solve material issues by selling the house left by his father, he goes to his small homeland in the city of Sovetsk. There, he unexpectedly meets his father's new family - his wife and six-year-old son, who are backed by a strong Uzbek Diaspora. Trying to solve the problem with the sale of the house, Chagin calls on a local bandit, an old friend of his father, to fight the Diaspora. The conflict is growing like a snowball, turning into a violent confrontation. At the center of all this is Artem, who has lost control of what is happening, and an unhappy widow who just wants to bury her husband.
Crossroads
Director
Artem Chagin, one of the countless "conquerors" of Moscow, receives news of the death of his father, who left them with his mother when Artem was still a child. The death of his father does not touch Artem, but wanting to solve material issues by selling the house left by his father, he goes to his small homeland in the city of Sovetsk. There, he unexpectedly meets his father's new family - his wife and six-year-old son, who are backed by a strong Uzbek Diaspora. Trying to solve the problem with the sale of the house, Chagin calls on a local bandit, an old friend of his father, to fight the Diaspora. The conflict is growing like a snowball, turning into a violent confrontation. At the center of all this is Artem, who has lost control of what is happening, and an unhappy widow who just wants to bury her husband.
Dumb
Screenplay
Transitional age is a difficult period, especially when you are in love. But what to do when the object of your love does not notice you? Fight and at all costs attract attention - the main character Anton decides and enters the path of confrontation with the older candidates for the attention of a neighbor who has been loved since childhood.
Dumb
Director
Transitional age is a difficult period, especially when you are in love. But what to do when the object of your love does not notice you? Fight and at all costs attract attention - the main character Anton decides and enters the path of confrontation with the older candidates for the attention of a neighbor who has been loved since childhood.