Fajar Suharno

Hujan, a deeply traumatized young woman, crosses paths with a mysterious street artist Bayu, both their destinies intertwined as they are haunted by the same nightmare that is connected to each of their pasts.

Fajar Suharno was a theater maestro from the 80's to the 90's. He was imprisoned because his theater activities were considered against the New Order government. At its peak, he made a show entitled "Geger Uwong Ngoyak Macan" about the events of crushing people who were considered thugs/criminals (Petrus). The show was held exactly the day before the massacre took place

Moving from Latvia to exotic Indonesia has proven to be quite a challenge for Paula’s (10) family. Her Mother has a hard time adapting to the country. Her sister, Kate (14), is entering puberty, and her Father’s workaholic nature is causing tension in the family. Luckily, the local boy Akhim (12) offers a ray of hope by telling Paula about special Shaman living in the jungle who has a superpower to bring Christmas everywhere. That must be Santa Claus himself! Kids join on a joyful adventure to find Christmas in the Jungle!

A Javanese royal and half-Dutch woman fall in love as Indonesia rises to independence from colonial rule.

하나의 몸 안에 남성성과 여성성이 모두 들어 있다면 어떨까? 만약 신체가 사회적, 정치적 폭력과 차별의 재현이라면 어떨까? 인도네시아 거장 누그로호는 인도네시아 전통 춤 댄서 와휴 주노의 삶을 가난한 어린 시절부터 세계적인 무용수로 성장하는 과정을 연대기적으로 따라간다.

In a village down at the slope of mount Merapi, Wening (80 years old) is preparing for the Hajj. Her departure this time has been planned long in advance as she is delegating her close friend Darmi's pilgrimage as well. This is as Darmi is unable to perform the Hajj by herself. Close to the day of departure, Darmi’s family holds to a ritual of recitation and prayer. Wening's husband Kusmin, however, makes Wening feel uneasy about going for the pilgrimage. Will Wening still perform the Hajj despite her husband's opposition?

Mbah Sri (95 years old) is looking for the grave of her husband, who has been missing for decades, with one simple aim: she wants to rest in peace beside her husband’s grave.

This biographical drama about Indonesia's first president recounts his nationalist crusade to seize independence from Dutch colonial rule.

The Indonesian society is seen through a middle-aged lady's eyes in her daily encounters with the street children who work and live off the harsh and sleazy world of adults.