Francesco Maria Dominedò

Twins, identical in appearance but different in soul. A double female point of view, narrated between Italy and the Middle East, between the affirmation of identity and the risks that people are willing to take to get what they want.

Giulia is constantly torn between the need to feel at home and be loved and a wild desire for freedom. One day she finds herself homeless and begins, in her own crazy way, to seek shelter and her own place in the world. Between an illusory desire for motherhood and ways to make ends meet, she spends the hottest days of a torrid Roman summer surrounded by elusive characters with empty lives, yet pure and wonderful like her. In a limbo made up of nothing (and everything), Giulia understands that it is up to her to decide how to live, or not to live, her own life.

Take an irascible dwarf whose surname is Piccolo, with an easy trigger and an immoderate passion for Pupo and his songs. Then add an undercover policeman whose surname is Doll who doesn't even dare to declare himself to the woman he is in love with and plays tough disguised as a pseudo-criminal. Then you end up with Silvano, a former drug addict in perennial religious mystical crisis, who steals from apartments to survive, only to leave holy cards to be forgiven for the pain caused.

Take an irascible dwarf whose surname is Piccolo, with an easy trigger and an immoderate passion for Pupo and his songs. Then add an undercover policeman whose surname is Doll who doesn't even dare to declare himself to the woman he is in love with and plays tough disguised as a pseudo-criminal. Then you end up with Silvano, a former drug addict in perennial religious mystical crisis, who steals from apartments to survive, only to leave holy cards to be forgiven for the pain caused.

BURLESQUE EXTRAVAGANZA is a travel diary, a road movie into Burlesque world made by Grace Hall, during her tournée between Europe and USA .The movie shows an undraped backstage and the real "behind the scene" of creating an act.This project also focuses on the stereotypes about women and on the modern world vision of women and sexuality. Burlesque is a real therapy who increases confidence and helps you to love yourself.

Cover-boy racconta l’amicizia fra Ioan (Eduard Gabia) e Michele (Luca Lionello) l’uno rumeno e l’altro italiano. Due mondi che casualmente s’incontrano: l’esperienza di chi, figlio della rivoluzione post comunista, è fuggito dal proprio paese alla ricerca di un futuro migliore e l’esperienza di chi, precario, vive la crisi del lavoro occidentale.

The people of Jerusalem are suffering under the reign of HEROD, and are hoping to be delivered from the Roman occupiers by the Messiah whose arrival, it is rumored, is to take place very soon. Unlike his nephew JUDAS, who wants to join the zealots (freedom fighters), the 35-year-old widower JOSEPH is not interested in participating in any fighting against the Romans.

This movie depicts the two years that young Stendhal spent in Italy. Stendhal, that time still known simply as Henri Beyle, is living the life of a wanderer, looking for a direction in his life, meeting famous Rossini and falling in love with young widow Giuseppina. A story of love, betrayal and an analysis of women and men's minds and souls.

In 'I Am the Way You Want Me' a fragile woman cheats on her husband with her brother-in-law.

"A Magic Mirror" is the least 'sexy' of the tales and deals with a family triangle of 2 brothers (one a conceited jerk and one a 'nice guy'), the 'jerk's' wife, and a little relationship 'karma'. "Julia" is the longest segment - it follows the convoluted sensual life of an attractive young woman that ultimately reveals her multifaceted sexual persona - very 'arty' and erotic! "I Am the Way You Want Me' is a bit of an erotic soliloquy featuring a somewhat masochistic woman lolling about on a bathroom floor carrying out some of her (absent) lover's kinky instructions.

A collective cinematic project to promote tolerance and the value of diversity.

Very rare Italian horror anthology from 1994, starring amongst many others, Asia Argento. This Italian movie is an anthology based with no linking material, only that all of the stories have a horror/suspense/surreal theme. The stories are diverse, ranging from routine stories with twist-endings to social satire. The directing styles are equally as eclectic - compare the frenetic Peter Jackson-style opening segment, Our Guys Are Coming to the surrealistic, dreamlike qualities of Outlook.

Benito González is a flamboyant engineer in Melilla, with a brash and pushy personality. His dream is to build the tallest building ever in the region. After his girlfriend leaves him, he devotes himself entirely to his ambitions, deciding to let nothing get in his way. He marries the daughter of a billionaire, intending to use her father's money to realise his project. Benito waltzes his way through a career of excess, fetishes and deceptions, but the personal conflicts he unleashes ultimately send his life spiraling down to disaster.

Inspired by Giancarlo Marinelli's novel "Amori in stazione", the film talks about the fate of marginalization in the decay of a small railway station, where prostitutes, homosexuals, pimps, conscripts, immigrants, gypsies and ordinary people meet. Characters out of time and space. Artificiality is their language to get out of the rawness of the landscape.

Inspired by Giancarlo Marinelli's novel "Amori in stazione", the film talks about the fate of marginalization in the decay of a small railway station, where prostitutes, homosexuals, pimps, conscripts, immigrants, gypsies and ordinary people meet. Characters out of time and space. Artificiality is their language to get out of the rawness of the landscape.