Júlia Buisel

Film adaptation of "The letter from the hunchback to the locksmith" by Fernando Pessoa's heteronym Maria José.

Film adaptation of "The letter from the hunchback to the locksmith" by Fernando Pessoa's heteronym Maria José.

Departing from extracts written by Fernando Pessoa, the characters walk through the city of Lisbon, having the streets and houses where the Poet lived as the background.

Departing from extracts written by Fernando Pessoa, the characters walk through the city of Lisbon, having the streets and houses where the Poet lived as the background.

감독이 73세에 만든 이 작품은 그가 40년 동안 살았던 집을 배경으로 감독의 개인사와 포르투갈의 역사가 교차하며 보여진다. 이야기 속으로 관객을 안내하는 감독의 생전 모습을 다시 볼 수 있다는 것만으로도 감동적이다. (2016년 제17회 전주국제영화제)

Don Quixote, Luís de Camões, Camilo Castelo Branco and Teixeira de Pascoaes meet in an eternal garden in the middle of a modern city and talk about life.

하울 브란당의 희곡을 영화화한 작품. 아내와 딸과 함께 조용히 살아가는 게보에게는 사실 8년 전 집을 떠난 아들 주앙이 있다. 그런데 어느 날 밤, 주앙이 아무 일도 없었다는 듯이 집으로 돌아오고 이때부터 말로 설명하기 힘든 이상한 긴장감이 발생한다. 한정된 공간 안에서 벌어지는 인물들의 미묘한 심리 변화가 돋보이는 작품. (2014 한국시네마테크협의회 - 마누엘 드 올리베이라 회고전)

100세의 나이가 된 포르투갈의 거장 올리베이라 감독의 작품. 오랜 경험과 그만의 분위기가 담긴 이번 작품 역시 우리의 기대를 저버리지 않는다. 이번 작품에서는 삼촌의 사무실에서 회계 경리로 일하는 한 젊은이의 사랑과 성공에 대한 이야기가 펼쳐진다. 주인공 마카리오는 사무실 유리창을 통해 보이는 한 여인을 사랑하게 된다. 두 사람은 서로 사귀게 되고 결혼하려고 하지만, 매번 다른 장애물이 나타나면서 사랑하는 그녀와 결혼하려는 그의 꿈은 점점 멀어지게 된다.

100세의 나이가 된 포르투갈의 거장 올리베이라 감독의 작품. 오랜 경험과 그만의 분위기가 담긴 이번 작품 역시 우리의 기대를 저버리지 않는다. 이번 작품에서는 삼촌의 사무실에서 회계 경리로 일하는 한 젊은이의 사랑과 성공에 대한 이야기가 펼쳐진다. 주인공 마카리오는 사무실 유리창을 통해 보이는 한 여인을 사랑하게 된다. 두 사람은 서로 사귀게 되고 결혼하려고 하지만, 매번 다른 장애물이 나타나면서 사랑하는 그녀와 결혼하려는 그의 꿈은 점점 멀어지게 된다.

A true story of a doctor and his wife who went on a journey in order to prove that discoverer Christopher Columbus was in fact Portuguese. Inspired by the book "Cristóvão Colon Era Português".

38 years after the events in the Luis Buñuel classic Belle du jour, Henri Husson thinks he sees Séverine one night at a concert. He follows her and makes her face her past and then takes a slow revenge on her.

38 years after the events in the Luis Buñuel classic Belle du jour, Henri Husson thinks he sees Séverine one night at a concert. He follows her and makes her face her past and then takes a slow revenge on her.

Luciano, fresh out of jail, was taken by his brother, Flórido, to serve in the home of wealthy Alfreda. He was surprised when she told him that her greatest desire was to see the Virgin Mary. Now comes this rich land owner with her sublime pretensions. Isn't it enough for her to have an Aston Martin and a Jaguar in the garage and ten different dresses per season? It was all professor Heschel's fault. Or someone else's. Anyway, to go beyond the promise is heresy. Alfreda said that she wouldn't rest until she saw the Virgin and made her some questions. Filipe Quinta, the Forger, says he has a solution. Meanwhile, Bahia, her husband, listens do music.

A meditation on civilization. July, 2001: friends wave as a cruise ship departs Lisbon for Mediterranean ports and the Indian Ocean. On board and on day trips in Marseilles, Pompeii, Athens, Istanbul, and Cairo, a professor tells her young daughter about myth, history, religion, and wars. Men approach her; she's cool, on her way to her husband in Bombay. After Cairo, for two evenings divided by a stop in Aden, the captain charms three successful, famous (and childless) women, who talk with wit and intellect, each understanding the others' native tongue, a European union. The captain asks mother and child to join them. He gives the girl a gift. Helena sings. Life can be sweet.

Having lost her place among the social elite, a widow remarries and starts a family.

Manoel is an aging film director who travels with the film crew through Portugal in search of the origins of Afonso, a famous French actor whose father emigrated from Portugal to France and in process remembers his own youth.

The journey of Michael Padovic, an American professor who arrives with his wife, Helene, at a Portuguese convent where he expects to find the documents needed to prove his theory: Shakespeare was born in Spain; not in England.

A blind beggar is robbed of his chest of money. The theft leads to a dramatic situation in the street where he begs every day.

A blind beggar is robbed of his chest of money. The theft leads to a dramatic situation in the street where he begs every day.

Ema is a very attractive but innocent girl, so pretty that cars crash in her presence. Young marries Dr. Carlos Paiva, a father's friend, to whom she is not attracted. They move to the Valley of Abraham. Carlos loves her, but decides to sleep in a separate room to avoid waking Ema when he has to return late at night. With time she begins to feel unhappy about her marriage, so she finds a lover.

In a mental institution the patients see themselves as people like Jesus, Lázaro, Marta, Maria, Adão, Eve, Sonia, Raskolnikov, Aliosha e Ivan Karamasov, a Philosopher, a Profet, Santa Teresa d'Avila, reciting the Divine Comedy.

This odd film is a major representative of an even odder film genre: direct-to-celluloid opera. It was commissioned by the Portuguese master of style, director Manoel de Oliveira from composer João Paes. Musically, it ranges from 19th-century romanticism to popular, modernist and even "post-modernist" styles. In the initially tame story, a host-narrator tells the story of a wedding between the two lovebirds: Viscount d'Aveleda and the beautiful Marguerite. However, what happens in the bridal chamber is incredibly bizarre. The events after that are even stranger (the film out-does even Luis Buñuel in that department), and the wedding guests and family indulge in cannibalism, among other perversions.

Pedro is a young agricultural worker who gets caught in the middle of a fight between two families, kills a man and escapes to the capital. He can't find work,resorts to begging, but keeps his mountaineer pride. He starts a new life with a prostitute who is nice to him, but nothing works. He returns home, and alone, and now he finds life there is sad as well.

Former boxing champion Belarmino answers a psychological facing the camera in close-up. Then the camera follows him in his daily routine, at home with his family, oggling the women and working as doorman to a night-club, as well as the of training and boxing sessions.

António, a factory worker of immense musical talent, is discovered by a business man who launches him as a singer. Nevertheless, this changes the man's life for better and for worst.

The life of Fernando Farinha, from kid where he ran away to school - to sing the fado, and the condescension of the parents, although aspiring to have an "honest" job.

After a fatal crash involving her brother, Elsa tries to escape her corrupt & prejudiced background, making Francisco (the victim’s dad) – a wealthy family’s driver – resign himself with the unavoidable so as not to compromise his employer’s son, thus trying to gain something from the tragedy.