Philippe Gozlan

A master and his pupil. As if in a mirror, Manolo, ex-matador de toros, sees himself in Mario, a young bullfighter. The long training sessions let us enter the controversial world of bullfighting through a particular gaze, far from the classic image of the bullfighter dressed in gold and surrounded by pomp.

Adam Ondra is the best. Born in 1993, the Czech climber has broken a series of records and is widely recognised as the most accomplished in his discipline. No mountain or wall can resist him. But who is this young man who knows no fear and never seems to encounter failure? Jan Šimanek and Petr Záruba deliver an intimate portrait, beyond the usual sensationalism of sports headlines.

A smaller scale Eiffel Tower and the Champs-Elysées can be found just outside Shanghai; a copy of St. Peter’s in Rome can be found in Yamoussoukro, in the Ivory Coast: a journey over three continents to see the architecture of imitation, the uncanny world of the fake.

A smaller scale Eiffel Tower and the Champs-Elysées can be found just outside Shanghai; a copy of St. Peter’s in Rome can be found in Yamoussoukro, in the Ivory Coast: a journey over three continents to see the architecture of imitation, the uncanny world of the fake.

From 1977 to his untimely death in 1993, Amos Guttman directed six films, all of them deeply personal reflections of his own life. Interviews with lovers, family and friends--including some of the most important people in Israeli cinema--tell the gripping story of a strikingly handsome, charismatic and deeply passionate gay man who has become a revered cult figure in Israeli cinema.Interviews with the late filmmaker and fascinating footage of him on the set convey the same passion that comes through in scenes from his films, lovingly selected by documentarian Ran Kotzer. Like Fellini, Guttman transformed his dreams and everyday conversations with friends and family into integral parts of his pictures. He is most remarkable for his striking and original use of the frame. Every shot is a treasure. Amos Guttman dared to portray subjects that were taboo in his society, and his search for the right of individual expression is the connecting link of his works.

From 1977 to his untimely death in 1993, Amos Guttman directed six films, all of them deeply personal reflections of his own life. Interviews with lovers, family and friends--including some of the most important people in Israeli cinema--tell the gripping story of a strikingly handsome, charismatic and deeply passionate gay man who has become a revered cult figure in Israeli cinema.Interviews with the late filmmaker and fascinating footage of him on the set convey the same passion that comes through in scenes from his films, lovingly selected by documentarian Ran Kotzer. Like Fellini, Guttman transformed his dreams and everyday conversations with friends and family into integral parts of his pictures. He is most remarkable for his striking and original use of the frame. Every shot is a treasure. Amos Guttman dared to portray subjects that were taboo in his society, and his search for the right of individual expression is the connecting link of his works.