Elisa Celda

참여 작품

Tetuan, Tetuán, Tetwan (Primera parte)
Assistant Director
The film trilogy "Tetuan, Tetuán, Tetwan" deals with the traces that the colonial past in Morocco has left in Spanish society through an experimental collaborative methodology. It examines cultural production, public space and the collective imaginary through the prism of the ghost, understood as an echo of silenced voices and historical facts. Developed with Moroccan and Spanish cultural agents, the project explores narrative strategies to resignify places such as the Plaça Tetuan in Barcelona, the neighborhood of Tetuán de las Victorias in Madrid or the cinema “Español” in the proper city of Tetwan, Morroco.
O Arrais do Mar
Director
O arrais do mar portrays a night shift of the last fishing community that uses the Art of Xávega, a traditional type of fishing that has barely evolved over the centuries, disappeared on the Spanish coast and in process of extinction in Portugal. At the same time, under the huge cliff and a few meters from the sea, other bodies roam the terrain in search of occasional sexual encounters.
피는 하얗다
Producer
감독은 열화상 카메라를 사용해 오랜 전통, 투우를 집도의처럼 정밀하게 파헤친다. 국가적 의식으로 알려진 투우는 섬뜩한 춤으로 변하고 관객의 눈앞에 펼쳐지는 것은 죽음의 의식이다.
피는 하얗다
Editor
감독은 열화상 카메라를 사용해 오랜 전통, 투우를 집도의처럼 정밀하게 파헤친다. 국가적 의식으로 알려진 투우는 섬뜩한 춤으로 변하고 관객의 눈앞에 펼쳐지는 것은 죽음의 의식이다.
Prophecy
Sound
Three young friends of Moroccan origin travel on a lost island, sing, dance, and take us into the shelter of an uninhabited lighthouse. They discover this unknown land like the explorers in a tale of adventures. Following them around in this strange place, Julieta Juncadella carries us away, like a wave, in the movement of a fantasy film. – Elena López Riera
Esfinge
Director
Two enigmatic characters walk through a numb landscape, flat and timeless.