Liz Marshall

참여 작품

고기의 미래를 만나다
Producer
2050년까지 육류 소비량이 2배로 증가한다는 전망에 따라 해결책 마련이 시급하다. 지구의 미래는 식품과학을 통해 동물을 도축할 필요 없이 동물 세포에서 육류를 생산하는 ‘세포기반 배양육’에 달려있는지도 모른다.
고기의 미래를 만나다
Writer
2050년까지 육류 소비량이 2배로 증가한다는 전망에 따라 해결책 마련이 시급하다. 지구의 미래는 식품과학을 통해 동물을 도축할 필요 없이 동물 세포에서 육류를 생산하는 ‘세포기반 배양육’에 달려있는지도 모른다.
고기의 미래를 만나다
Director
2050년까지 육류 소비량이 2배로 증가한다는 전망에 따라 해결책 마련이 시급하다. 지구의 미래는 식품과학을 통해 동물을 도축할 필요 없이 동물 세포에서 육류를 생산하는 ‘세포기반 배양육’에 달려있는지도 모른다.
Midian Farm
Director
If it had happened in America, MIDIAN FARM would be a Hollywood script. Instead, its legacy is memorialized through a compelling point-of-view historical Canadian documentary. From 1971 - 1977, MIDIAN FARM was a back-to-the-land social experiment created by a community of urban baby boomers from Toronto. Part of the youth counterculture movement during a period of social and political re-imagining, its utopian vision eventually collapsed. More than four decades later, filmmaker Liz Marshall unearths a transformative piece of family and Canadian history.
Midian Farm
Writer
If it had happened in America, MIDIAN FARM would be a Hollywood script. Instead, its legacy is memorialized through a compelling point-of-view historical Canadian documentary. From 1971 - 1977, MIDIAN FARM was a back-to-the-land social experiment created by a community of urban baby boomers from Toronto. Part of the youth counterculture movement during a period of social and political re-imagining, its utopian vision eventually collapsed. More than four decades later, filmmaker Liz Marshall unearths a transformative piece of family and Canadian history.
데스 콜
Costume Design
의문의 실험 후에 사라진 친구 ‘제임스’의 행방을 조사하던 저널리스트 ‘앤’. 그의 집에서 발견된 편지 속의 단서를 통해 소설가 ‘블랙번’을 찾아가게 되고, 그의 집에서 화학자 ‘캘리’가 제조한 문제의 신약을 함께 복용한 뒤 미스터리한 현상을 겪기 시작했다는 충격적인 사실을 알게 되는데...
The Ghosts in Our Machine
Director of Photography
Through the heart and photographic lens of international photographer Jo-Anne McArthur, 
we become intimately familiar with a cast of non-human animals. The film follows Jo-Anne over the course of a year as she photographs several animal stories in parts of Canada, 
the U.S. and in Europe. Each story is a window into global animal industries: 
Food, Fashion, Entertainment and Research.
The Ghosts in Our Machine
Producer
Through the heart and photographic lens of international photographer Jo-Anne McArthur, 
we become intimately familiar with a cast of non-human animals. The film follows Jo-Anne over the course of a year as she photographs several animal stories in parts of Canada, 
the U.S. and in Europe. Each story is a window into global animal industries: 
Food, Fashion, Entertainment and Research.
The Ghosts in Our Machine
Writer
Through the heart and photographic lens of international photographer Jo-Anne McArthur, 
we become intimately familiar with a cast of non-human animals. The film follows Jo-Anne over the course of a year as she photographs several animal stories in parts of Canada, 
the U.S. and in Europe. Each story is a window into global animal industries: 
Food, Fashion, Entertainment and Research.
The Ghosts in Our Machine
Director
Through the heart and photographic lens of international photographer Jo-Anne McArthur, 
we become intimately familiar with a cast of non-human animals. The film follows Jo-Anne over the course of a year as she photographs several animal stories in parts of Canada, 
the U.S. and in Europe. Each story is a window into global animal industries: 
Food, Fashion, Entertainment and Research.
Identity Portraits: Janice and Paula
Director
A loving portrait of two motorcycle-riding lesbians.