Paloma López

Chiloé Island, 1880. Rosa Raín is a Huilliche girl who, after the murder of her father at the hands of German settlers, seeks justice with Mateo, leader of an organization of sorcerers called “La Recta Provincia”.

Deer Girl follows a reclusive ecologist who becomes enamored with a teen girl after he captures her on surveillance interfering with his experiment.

As every year, the Los Pinos school, a prestigious school of the confessional type, sends its students on retreat to the countryside. Under the watchful eye of teachers and priests, the children are led on the path of their physical and moral development. Through the gaze of several middle and upper class teenagers, the film shows how their upbringing affects the future of society itself.

Horacio reunites with his father and together remember the past.

This is a movie built from impericia, from misunderstanding, from surprise and mutual amazement; it is a film that reflects on the idea of community, the relationship of mankind with the environment in which nature, beasts and human beings depend on each other to continue inhabiting a barren land.

멕시코시티에서 사설구급차를 운영하는 가족이 겪는 사건사고의 일상과 함께 이 일에 부패와 타락을 강제하는 사회적 구조를 드러내는 내용을 다룬 다큐멘터리

2018년 미국과 멕시코 사이 국경이 잠시 열렸다. 그날의 '장벽 대신 허그' 행사는 망명 신청 거부, 추방 등으로 생이별했던 가족들이 만나는 수년 만의 기회. 기약 없는 이별에 비해 너무 짧고 가슴 아픈 재회를 다큐멘터리로 기록했다.

Chilo and Omar seem to be the only two men on earth. They live on a solitary beach and their constant activity is fishing to survive. Their friendship, surrounded by sensuality, becomes a kind of a love story. Through their conversations and their relationship, the film explores and portraits human condition.

Mexico, 2016. In some of the world's most dangerous cities life is not worth much. Looking into the eyes of the protagonists of violence, victims as well as executioners, helps to understand how fear inserted itself in the subconscious of our society. Through a network of concrete stories, we are facing the most obscure traits of the human psyche, the frail balance between humanity and evil.

Margarita is a woman who lives in the streets of Mexico City, a character who moves between lucidity and madness.

Manuela (40) is the cook in a restaurant when the Balkan conflict breaks out on the other side of the world. The madness of war permeates her surroundings, invades her intimacy and unleashes its own warlike escalade.