Assistant Director of Photography
A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.
Producer
50세의 마리아 가르시아는 한때 생존을 위해 고군분투하던 테킬라 공장인 도스 에스타시오네스의 소유주이며, 할리스코 고지대에 있는 멕시코 소유의 테킬라 공장들의 마지막 지주이다. 한때 마을에서 가장 부유한 사람 중 한 명이었던 마리아는 자신의 현재 재정 상황이 더이상 예전과 같지 않다는 것을 알고 있다. 전염병과 홍수로 인해 큰 피해를 입은 이때, 마리아는 지역 사회의 경제와 자존심을 구하기 위해 할 수 있는 모든 것을 하기로 결심한다.
Writer
50세의 마리아 가르시아는 한때 생존을 위해 고군분투하던 테킬라 공장인 도스 에스타시오네스의 소유주이며, 할리스코 고지대에 있는 멕시코 소유의 테킬라 공장들의 마지막 지주이다. 한때 마을에서 가장 부유한 사람 중 한 명이었던 마리아는 자신의 현재 재정 상황이 더이상 예전과 같지 않다는 것을 알고 있다. 전염병과 홍수로 인해 큰 피해를 입은 이때, 마리아는 지역 사회의 경제와 자존심을 구하기 위해 할 수 있는 모든 것을 하기로 결심한다.
Producer
Nando, a young horse wrangler in a rural Mexican village, has taken his own life following a disagreement with his father. Caballerango shows the boy’s family members and townspeople as they reckon with the new realities borne out of this inexplicable tragedy. Each account of Nando’s story reveals a different aspect of this rural town, which is deeply affected by modernization. The confrontation between the centuries-old ways of life and the modern-day world seems to be creating serious identity crises among the younger generation. The story is told in a patient, observational style with methodical shots of the landscape, ranches, and of the two white horses, whom Nando and his father tended to. Those horses, the last to see Nando alive, connect us to an ethereal sensation of almost otherworldly mystical beings.
Editor
Nando, a young horse wrangler in a rural Mexican village, has taken his own life following a disagreement with his father. Caballerango shows the boy’s family members and townspeople as they reckon with the new realities borne out of this inexplicable tragedy. Each account of Nando’s story reveals a different aspect of this rural town, which is deeply affected by modernization. The confrontation between the centuries-old ways of life and the modern-day world seems to be creating serious identity crises among the younger generation. The story is told in a patient, observational style with methodical shots of the landscape, ranches, and of the two white horses, whom Nando and his father tended to. Those horses, the last to see Nando alive, connect us to an ethereal sensation of almost otherworldly mystical beings.
Director
After 8 years together, a gay couple is confronted with the fact that they don't know how to keep on going. What is love? What is keeping them together? Is it better to drown or to die of thirst?
Screenplay
An incestuous relationship between to siblings after their mother's death, leads one of the characters to feel haunted by guilt. They try to forget their blood ties but they only become more evident and hard to manage.
Director
An incestuous relationship between to siblings after their mother's death, leads one of the characters to feel haunted by guilt. They try to forget their blood ties but they only become more evident and hard to manage.
