Fernández
Set in Galicia in northwest Spain - an area famed for its beauty and smuggling - this film shows a once-thriving fishing and shipbuilding culture fallen on hard times. Feisty, street smart Lena, 18, lives in semi-penury with her hard-drinking slob of a father, Gorrión, and hopes to escape by getting a grant to study in Portugal. Gorrion is mixed up with local drug-smuggling mafiosi, that includes Lena's godfather, Gitano, their Portugese Cachero, and the strong, silent Milio. One day, Lena returns from her job to find Gorrion badly beaten up: The gang had accused him of stealing. Lena visits the gangsters and offers to help pay off her father's debt by working for them. After Gorrion forgets to deliver Lena's grant papers, a fragile emotional bond develops between Lena and Milio. When they set off to Portugal to do a job, events start to ramble.
The longing and critical review of the copla is lived through the history of the marqués de Almodóvar, a passionate ambassador who organized Franco's folkloric festivals; generous, womanizer, excessive, wasteful, himself the protagonist of his own copla. In love in his youth with a Concha Piquer chorus girl, he dedicated his life to collecting fetishes and memories of all the cante divas with which to organize a sentimental museum in his decaying castle, filling it with showcases where he could store his longings. When he died, destitute, in the pension of his last mistress, also a cupletist, she disputes her legacy with the housekeeper who took care of him and her picturesque collections all her life. family castle. A dear diplomatic friend recalls his fanciful existence emotionally. An aesthetic that is part of the feeling of the Andalusian people. And as a common thread "Ojos Verdes", the most beautiful song of songs of his rich songbook.
