Elric Kane

SOMETHING WICKED THIS WAY COMES is a project that examines horror culture and filmmaking in the New England area. Through the stories of industry professionals, filmmakers, and actors, it explores the historical and contemporary significance of the area's impact on the horror genre, as well as the decision to pursue a project locally.

A Short Doc About the Short Form & Anthologies

A mockcumentary that reveals the modern day origins of found footage horror films.

Sci-Fi - Haunted by a terrifying incident in his past, billionaire Bill Hansen seeks revenge by enlisting a team of mercenaries and a television personality to capture and exploit a dangerous lizard-like creature - Alejandra Bejar, Steven M. Blasini, Brittany Blaze

The Aro Valley Digital film movement is examined through interviews with the various filmmakers and extensive clips of their work.

The Aro Valley Digital film movement is examined through interviews with the various filmmakers and extensive clips of their work.

A multi-storyline film which follows the aftermath of a stalled movie project in Wellington. As the various members of the cast and crew resume their everyday lives, the intricacies of their relationships with one another become increasingly difficult, as their conflicting needs and desires become impossible to resolve.

A multi-storyline film which follows the aftermath of a stalled movie project in Wellington. As the various members of the cast and crew resume their everyday lives, the intricacies of their relationships with one another become increasingly difficult, as their conflicting needs and desires become impossible to resolve.

A multi-storyline film which follows the aftermath of a stalled movie project in Wellington. As the various members of the cast and crew resume their everyday lives, the intricacies of their relationships with one another become increasingly difficult, as their conflicting needs and desires become impossible to resolve.

A multi-storyline film which follows the aftermath of a stalled movie project in Wellington. As the various members of the cast and crew resume their everyday lives, the intricacies of their relationships with one another become increasingly difficult, as their conflicting needs and desires become impossible to resolve.

Twenty-something Kate and Jeremy contemplate love and commitment in the face of an approaching separation.

Twenty-something Kate and Jeremy contemplate love and commitment in the face of an approaching separation.

Twenty-something Kate and Jeremy contemplate love and commitment in the face of an approaching separation.

Twenty-something Kate and Jeremy contemplate love and commitment in the face of an approaching separation.

Twenty-something Kate and Jeremy contemplate love and commitment in the face of an approaching separation.

Over the course of one week in a shadowy Wellington flat, four flatmates gradually aggravate and menace each other as pressure builds over unpaid bills, a mysterious disappearance, infidelity, and unrequited sexual desire. The physical and psychological claustrophobia becomes increasingly unbearable as they begin to encroach on each other's spaces, culminating in a shocking scene of humiliation and despair.

Over the course of one week in a shadowy Wellington flat, four flatmates gradually aggravate and menace each other as pressure builds over unpaid bills, a mysterious disappearance, infidelity, and unrequited sexual desire. The physical and psychological claustrophobia becomes increasingly unbearable as they begin to encroach on each other's spaces, culminating in a shocking scene of humiliation and despair.

Over the course of one week in a shadowy Wellington flat, four flatmates gradually aggravate and menace each other as pressure builds over unpaid bills, a mysterious disappearance, infidelity, and unrequited sexual desire. The physical and psychological claustrophobia becomes increasingly unbearable as they begin to encroach on each other's spaces, culminating in a shocking scene of humiliation and despair.

Over the course of one week in a shadowy Wellington flat, four flatmates gradually aggravate and menace each other as pressure builds over unpaid bills, a mysterious disappearance, infidelity, and unrequited sexual desire. The physical and psychological claustrophobia becomes increasingly unbearable as they begin to encroach on each other's spaces, culminating in a shocking scene of humiliation and despair.

Over the course of one week in a shadowy Wellington flat, four flatmates gradually aggravate and menace each other as pressure builds over unpaid bills, a mysterious disappearance, infidelity, and unrequited sexual desire. The physical and psychological claustrophobia becomes increasingly unbearable as they begin to encroach on each other's spaces, culminating in a shocking scene of humiliation and despair.

The listless love lives and insecure domestic arrangements of a group of Wellington 20-somethings are scrutinised with insight and irony in I Think I’m Going, which derives its telling title from the charmless words of the spent lover who’d suddenly prefer to be alone. (NZIFF)

The listless love lives and insecure domestic arrangements of a group of Wellington 20-somethings are scrutinised with insight and irony in I Think I’m Going, which derives its telling title from the charmless words of the spent lover who’d suddenly prefer to be alone. (NZIFF)

The listless love lives and insecure domestic arrangements of a group of Wellington 20-somethings are scrutinised with insight and irony in I Think I’m Going, which derives its telling title from the charmless words of the spent lover who’d suddenly prefer to be alone. (NZIFF)

Colin Hodson is an axiom of Aro Valley no-budget cinema. The male half of the "Uncomfortable Comfortable" couple, and director/star of "Shifter", now adds a third closely observed portrait to his gallery of passive aggressives.