A tale of the French Revolution, The Flames of Paris belongs to the pearls of the pure classics of classical dance. This world premiere recording of the production from choreographer Alexei Ratmansky (after Vasily Vaynonenon) and the Bolshoi Ballet, features the standout soloists Natalia Osipova and Ivan Vasiliev. Although set in revolutionary France, The Flames of Paris was intended to serve as an allegory for contemporary events in the Soviet Union. The ballet premiered in 1932 on the anniversary of the October Revolution, and one of its main characters was the population - revolutionary in mood and ready for action. Not surprisingly, The Flames of Paris was quickly included in the ranks of works which were always presented for major anniversaries.The choreographer Alexei Ratmansky has attempted to make maximum use of the preserved fragments of Vasily Vainonen in his new ballet.
A teenage girl nicknamed Avariya - "Crash" - is a rebel child that just can't get along with her family members that try to persuade her to behave normally - that is as other people do. But when Avariya gets gang-raped, his father (who is a cop) breaks all the rules and goes out for revenge.
유능한 변호사는 현재 살인을 시도한 혐의로 체포당한 부유한 부인의 변호를 준비 중이다. 그녀는 가족의 친구에게 성폭행을 당할 뻔했고 이에 저항했을 뿐이라고 주장한다. 그런데 재판 과정에서 한 통의 편지가 발견되며 이야기는 예상치 못한 국면으로 흘러간다. 서머셋 몸의 『편지』를 원작으로 한 작품
The action in this lavishly produced film takes place at an oddly ark-shaped mansion during World War I, and in spirit (although not in story) it reflects the play which inspired it, the ferociously antiwar Heartbreak House by George Bernard Shaw. A large group of family and friends have gathered at this country house to dance, drink, and converse. Their conversation, in particular, is adorned with erudite literary references and quotations. Despite their apparent refinement, their preoccupations are simple: sex and violence. Disquieting images break the tranquility of the vacationers' inappropriate idyll: some of these include documentary footage of starving African children, images (both real and re-enacted) of George Bernard Shaw going about his daily life, and a corpse coming to life on an autopsy table, only to cheapen that miracle by scolding a group of women. The music used in the film ironically points to its disturbing message and is uniformly anachronistic.
