Director of Photography
Om El Khir is a real fighter. Her husband has disappeared. One morning, he left on a boat for Europe and she has since received no evidence on whether he is dead or alive. Alone with her three children, in her empty and white apartment in the surroundings of Tunis, she bravely takes charge of a day-to-day life changed forever by the absence of her husband.
Screenplay
Om El Khir is a real fighter. Her husband has disappeared. One morning, he left on a boat for Europe and she has since received no evidence on whether he is dead or alive. Alone with her three children, in her empty and white apartment in the surroundings of Tunis, she bravely takes charge of a day-to-day life changed forever by the absence of her husband.
Director
Om El Khir is a real fighter. Her husband has disappeared. One morning, he left on a boat for Europe and she has since received no evidence on whether he is dead or alive. Alone with her three children, in her empty and white apartment in the surroundings of Tunis, she bravely takes charge of a day-to-day life changed forever by the absence of her husband.
Director
The heated election campaign of the green municipal candidate, Giusi Nicolini, on the island of Lampedusa, which - through no wish of its own - has become the cemetery for African immigrants to Europe.
Director
Since 2012, a group of women has staged regular demonstrations in front of government buildings in Tunis. These are the "Photograph-Women". They are called this because they hold portraits of men in gilt frames in their arms: their sons, brothers, husbands - all of whom have disappeared trying to reach Lampedusa clandestinely at the time of the Arab Spring. Shortly before they arrived on the island, some of them made calls to their nearest and dearest. Since then, no news. But nor have any bodies been found to demonstrate that they are dead. The calls received are interpreted as proof of life by the "Photograph Women".
Screenplay
Since 2012, a group of women has staged regular demonstrations in front of government buildings in Tunis. These are the "Photograph-Women". They are called this because they hold portraits of men in gilt frames in their arms: their sons, brothers, husbands - all of whom have disappeared trying to reach Lampedusa clandestinely at the time of the Arab Spring. Shortly before they arrived on the island, some of them made calls to their nearest and dearest. Since then, no news. But nor have any bodies been found to demonstrate that they are dead. The calls received are interpreted as proof of life by the "Photograph Women".
