Lucho Córdoba

출생 : 1902-07-26, Lima, Perú

사망 : 1981-04-14

참여 작품

El afuerino
With clear stylistic references to the spaghetti western, the film tells a story set in the Chilean countryside in a bygone era. The script, which tries to offer a folkloric costumbrista picture through an anecdote of love and revenge, is primary and unsubstantial. In many moments the film turns out to be comic when it is supposed to be dramatic and vice versa.
La mano del muertito
Screenplay
A film that mixes comedy with mystery. A hairdresser (Lucho Córdoba) is a fan of detective novels, to the point of fantasizing while he works, which causes him several problems with his boss. Suddenly he finds himself involved in a plot as if it were taken from one of them.
La mano del muertito
A film that mixes comedy with mystery. A hairdresser (Lucho Córdoba) is a fan of detective novels, to the point of fantasizing while he works, which causes him several problems with his boss. Suddenly he finds himself involved in a plot as if it were taken from one of them.
Tonto Pillo
El Chepo (Lucho Córdoba) must take care of his six brothers, all laborers on a quiet farm. The arrival of the landlady, with her two daughters and their suitor, upsets the place. After several entanglements, El Chepo must go to Santiago on an errand, but is the victim of the "uncle's story", losing all the money, being forced to perform all the possible tasks to recover it.
El último guapo
Hercules, a poor individual earns his living as a walking street ad, carrying a gigantic advertising sign on his shoulders. His biggest concern is his daughter Leonor, who helps at home by working as a seamstress. Afflicted by the economic situation, Hercules gets a job as a casino watchman. There he must face a trio of mobsters and a kleptomaniac baroness who tries to seduce him with her vampire airs and whom Hercules ends up falling in love with.
El Padre Pitillo
Rosita, a poor and naive girl, becomes entangled in a delicate love affair, which forces her to seek the spiritual help of the kind and ingenious Padre Pitillo, a country priest who does not censure the passion that has ruined poor Rosita, but puts things in their place, in his own particular way.