Editor
A psychotic saxophone player lures victims to deserted spots with his music and then guns them down.
Editor
과거에 언니 발레리와 여행을 가서 '드릴러 킬러'라는 살인마 드레이븐을 죽인 경험이 있는 코트니는 생일날 친구들과 함께 밴드 연습을 하러 쉴라 아버지의 콘도로 여행을 떠난다. 코트니의 엄마는 코트니에게 주말에 정신병원에 있는 언니 발레리의 면회를 가자고 했지만, 코트니는 남자 친구 매트가 뒤늦게 콘도로 온다고 하자 기대에 부풀어 즐거운 마음으로 여행을 떠난 것이다. 하지만 항상 살인마 드레븐의 환상에 시달리게 되는 코트니는 친구들을 놀라게 하고.
Sound Mixer
Sketched loosely, the narrative of Poe's first feature is as scrappy and paper-thin as its protagonist Rico, a self-styled loner in New York City circa 1976 who longs to inhabit the "New Wave" scene of mid-60s Paris. In Rico's day-to-day life as an unsuccessful photographer, he wearily searches for authentic connection-- even as he spouts the most inauthentic prose imaginable.
Assistant Director
Sketched loosely, the narrative of Poe's first feature is as scrappy and paper-thin as its protagonist Rico, a self-styled loner in New York City circa 1976 who longs to inhabit the "New Wave" scene of mid-60s Paris. In Rico's day-to-day life as an unsuccessful photographer, he wearily searches for authentic connection-- even as he spouts the most inauthentic prose imaginable.
Editor
Sketched loosely, the narrative of Poe's first feature is as scrappy and paper-thin as its protagonist Rico, a self-styled loner in New York City circa 1976 who longs to inhabit the "New Wave" scene of mid-60s Paris. In Rico's day-to-day life as an unsuccessful photographer, he wearily searches for authentic connection-- even as he spouts the most inauthentic prose imaginable.
