Wolfgang Glück

오스트리아에서 활동 중인 28명의 감독들이 모차르트에 대한 1분짜리 단편 영화를 만들기 위해 한자리에 모인다. 애니메이션, 실험영화, 다큐멘터리, 극영화 등 다양한 장르의 감독들이 각자 만든 이 작품은 오늘의 사회, 예술, 문화에 모차르트가 끼친 영향을 다양한 형식과 맥락에 의해 담아내고 있다. 2006년 모차르트 탄생 250주년 기념 위원회가 제작한 작품.

오스트리아의 여름은 아름답지만 약간 서늘하다. 티롤계곡의 저녁은 예고 없이 어두워지곤 한다. 호숫가 별장으로 향하는 게오르그 가족의 자동차를 내려다보는 높은 카메라는 이들의 왜소함을 강조하는 듯하다. 그들은 헨델, 모짜르트를 좋아하고, 함께 휴가를 즐길 이웃이 기다리고 있다. 그러나 그들을 맞이한 이웃의 태도는 어딘가 냉랭한 기운이 감돈다. 이상한 느낌이지만 크게 신경 쓸 일은 아니다. 게오르그의 부인 안나는 짐을 대충 정리하고 저녁을 준비한다. 이때 찾아든 낯선 청년 피터, 이웃의 에바가 보냈다며 달걀 4개를 빌려 달라고 한다. 이웃 에바의 사촌이라고 나타난 피터, 청년의 행동이 어딘가 이상하다. 전화기를 물에 빠뜨리지 않나, 달걀을 깨먹질 않나, 달걀을 더 내놓으라고 태연자약하게 요구하질 않나, 낯선 청년 폴의 등장은 더욱 안나를 불쾌하게 하고 신경이 날카로워진 안나는 그들에게 나가라는 요구를 하게 된다. 악의라고는 찾아볼 수 없던 청년들의 태도가 돌변하고 안나와 게오르그는 어쩔 줄 몰라한다. 골프채로 가볍게 게오르그의 다리를 부러뜨리고 관객을 향한 눈짓과 함께 재밌는 게임이 시작된다. 도저히 상상할 수 없는 게임이 펼쳐진다. 폴과 피터는 안나가족을 내일 오전 9시까지 모두 죽인다는 전제 아래 게임을 시작하며 관객에게도 참여할 것을 요구한다. 객석을 향한 폴의 눈길이 한없이 불편하지만, 조종권은 이미 그들에게 있다. 그리고 차례차례 죽어가는 살인 파티. 왜 이들은 반항하지 않는가라는 의문은 쓸데없는 일, 리모트 콘트롤을 이용한 반전은 왜 이들이 무기력하게 죽어갈 수 밖에 없는지 설명한다.

Jan, a freelance journalist, and Sabine, the mother of his two children and a textile designer, have no money. Sabine is abandoned by her husband and then gets caught up in the bureaucracy. A sober psychogram of a woman who is fighting and hoping for her life and everyday life.

Jan, a freelance journalist, and Sabine, the mother of his two children and a textile designer, have no money. Sabine is abandoned by her husband and then gets caught up in the bureaucracy. A sober psychogram of a woman who is fighting and hoping for her life and everyday life.

The film presents the political events surrounding the Anschluss in March of 1938 through the lives of Carola Hell, a popular young actress at the prestigious Theater in der Josefstadt, and Martin Hofmann, the Jewish journalist she plans to marry. When we encounter the couple in the lovely springtime weather their future is full of promise. They are determined to stay clear of politics. Yet in the climate of the time, nobody of her prominence or his religion can remain apolitical. Although Martin's journalist friend, Drechsler, calls to inform them that the Nazis plan to take over Austria soon, they concentrate on their work and their private happiness and dismiss the warnings.

The film presents the political events surrounding the Anschluss in March of 1938 through the lives of Carola Hell, a popular young actress at the prestigious Theater in der Josefstadt, and Martin Hofmann, the Jewish journalist she plans to marry. When we encounter the couple in the lovely springtime weather their future is full of promise. They are determined to stay clear of politics. Yet in the climate of the time, nobody of her prominence or his religion can remain apolitical. Although Martin's journalist friend, Drechsler, calls to inform them that the Nazis plan to take over Austria soon, they concentrate on their work and their private happiness and dismiss the warnings.

Kurt Gerber is attending his final class and gets into trouble with the math professor, a frustrated self-assured petty bourgeois sadist. The duel ends in catastrophe.

Kurt Gerber is attending his final class and gets into trouble with the math professor, a frustrated self-assured petty bourgeois sadist. The duel ends in catastrophe.

Der Graf von Luxemburg (The Count of Luxembourg) is an operetta in three acts by Franz Lehár to a German libretto by Alfred Willner, Robert Bodanzky, and Leo Stein. A Viennese take on bohemian life in Paris at the beginning of the 20th century, the story revolves around an impoverished aristocrat and a glamorous opera singer who have entered into a sham marriage without ever seeing each other and later fall in love at first sight, unaware that they are already husband and wife.

Der Graf von Luxemburg (The Count of Luxembourg) is an operetta in three acts by Franz Lehár to a German libretto by Alfred Willner, Robert Bodanzky, and Leo Stein. A Viennese take on bohemian life in Paris at the beginning of the 20th century, the story revolves around an impoverished aristocrat and a glamorous opera singer who have entered into a sham marriage without ever seeing each other and later fall in love at first sight, unaware that they are already husband and wife.

After a frank confession by his wife, a doctor is called to see a dying patient. The cause of the night brings him to meet an old friend, a pianist, who tells him of a mysterious ball where he is due to perform. Based on the book "Traumnovelle" ("Rhapsody: A Dream Novel") by Arthur Schnitzler.

After a frank confession by his wife, a doctor is called to see a dying patient. The cause of the night brings him to meet an old friend, a pianist, who tells him of a mysterious ball where he is due to perform. Based on the book "Traumnovelle" ("Rhapsody: A Dream Novel") by Arthur Schnitzler.

Eva wants to become a singer and ends up in the Mambo bar, where behind the scenes is traded with other goods than talents.

Vienna, 1957: Head waiters Gustav (Paul Hörbiger) and Franz (Hans Moser) are working for the stinted Cafétier Panigl and are close friiends despite of their different characters. Franz is happily married and a good family father, Gustav, a relaxed charmer, is living a calm single life. Overnight both of them become jobless, because Panigl decided to sell his Café which was not successful anymore. Right in this moment, Franz' brother is sending 20.000 Dollar from USA. Money, he once peculated and now wants to pay back.. Gustav and Franz are buying half of the Café for each from the unexpected money. One half they develop as the modern Musicbox-Espresso «Pinguin», the other half as a traditional old style Vienna Café . Misunderstandings between guests and generations are inevitable and stretch the long term friendship of the two waiters.