Sound
The turbulent relationship between a filmmaker and a volatile actor.
Sound
통일독일을 여행하는 자의 포스트 모던 로드무비.
로셀리니의 47년작 "독일영년"이 2차 대전 직후의 독일에 대한 이야기라면 고다르의 "신독일영년"은 사회주의의 붕괴와 베를린 장벽이 무너진 통일독일 직후를 말한다. 그리고 그 둘은 모두 이방인의 눈에 비친 독일의 현실을 보여준다.
로셀리니와 에이젠슈타인, 무르나우의 이미지와 독일의 현실을 결합시키면서 고다르는 하나의 영화-역사(이야기)를 완성시킨다.
Sound
A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.
Sound
A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.
Director of Photography
Godard blends elements of literature, cinema and other artistic medias from different historical periods in order to make a stance on how words can be subverted and manipulated to many different contexts, sometimes bearing a similar significance to the original material or even creating an alternate context.
Cinematography
Two segments make up this short film. The first portion called “The French” has two men taste testing some delicious wine, and the other, titled “The Gauls”, is of men playing rugby. This short by Werner Herzog is part of the “The French as Seen By…” series. It was initiated and sponsored by the newspaper Le Figaro, as part of the 1988 celebration of the tenth anniversary of its magazine section.
