Yana Höhnerbach

During the Second World War, women were for the first time allowed to work as war correspondents. Based on reports, letters and diary excerpts, filmmaker Luzia Schmid sketches a personal portrait of three fearless women and their unique attempts to report on the war.

Michael Scholly is released 28 years after being sentenced to life imprisonment for murder. He had three years to prepare for this moment. But the world outside the prison walls has fundamentally changed in his absence and Scholly's ideas and expectations have little in common with reality. Questions arise: Can Scholly meet the demands placed on him? Is Scholly ready for freedom? His first year after discharge was supposed to provide answers - but the answer came sooner than expected.

아직 독립도 하지 않은 시절, 자신의 작은 방에서 거대 마약 제국을 세운 막시밀리안 슈미트. 《인터넷으로 마약을 파는 법》 시리즈 제작으로 이어진 그의 실화가 낱낱이 공개된다.

Dobropolye is a town located in Eastern Ukraine: 70 km from the border where conflicts with the breakaway republics are raging on and people feel always like being on the verge of total war. The sheer uncertainty about the future pushes folks to cling on to their daily habits while trying to get along with the ever-shifting political landscape. A wide array of wildly diversified characters try to cope as good as they can with the hardships in their town. A death metal band keeps rehearsing daily. A teacher guides visitors through the story of the city. The wonders of a vibrating armchair are tested as a tool against stress and anxiety. An elderly lady who has lost her son tries to talk some sense into her fellow citizens urging them to accept peace.

젊은 에바가 자아를 발견해 나가는 과정에서 스스로를 공공의 볼거리로 만들어버리는 인터넷 시대의 단면을 포착한다. 그 속에서 에바는 ‘여자는 곧 어떠해야 한다’는 사회적 인식에 도전한다. 에바의 파편화된 성격들은 단일하게 고정된 정체성이라는 개념이 이제는 옛말이 되어버리고 새 시대가 등장했음을 드러낸다.

In the 1960s, a white couple living in East Germany tells their dark-skinned child that her skin color is merely a coincidence. As a teenager, she accidentally discovers the truth. Years before, a group of African men came to study in a village nearby. Sigrid, an East German woman, fell in love with Lucien from Togo and became pregnant. But she was already married to Armin. The child is Togolese-East German filmmaker Ines Johnson-Spain. In interviews with Armin and others from her childhood years, she tracks the astonishing strategies of denial her parents, striving for normality, developed following her birth. What sounds like fieldwork about social dislocation becomes an autobiographical essay film and a reflection on themes such as identity, social norms and family ties, viewed from a very personal perspective.

When his two mature children Anton and Linda start leaving the house, after graduation, father Michael stops taking care of his body. Anton sacrifices his body for a bed-rest-study to contribute to spacetraveling, while Linda is in search of her first sexual experience.

A poetic time travel fantasy through the imagined history of the United States as a modern fairyland, along the traces of our desire for illusion and escapism – fatally bound between fact and fiction, anticipating the current reality shifts in the US.

"Jakob is my dear brother. He used to love to party, make music, and let himself drift through Berlin. Then six years ago, he suddenly became a Muslim. He broke off contact with his old friends and his old ways. Now as a Salafi, every question has an answer by the rules of fundamental Islam. By filming him, I go in search of our lost bond of brotherly love and suddenly find myself on a journey with him, that goes beyond a religious exploration." - Eli Roland Sachs