Astrid Holm

Astrid Holm

출생 : 1893-03-30, Denmark

사망 : 1961-10-29

약력

Born Astrid Vilhelmine Rasmussen in Sønder Bjerge Sogn, Sorø Municipality, Zealand, she was the daughter of hotelier Hans Peter Rasmussen and his wife Maren Sofie Rasmussen (née Larsen). She studied at the Royal Danish Ballet, but left in 1910 to pursue a career as a stage actress. During the World War I years, she performed at Det Ny Teater in the capital city of Copenhagen. During the early 1920s, she was engaged at the Royal Danish Theatre for four seasons by request of theater director Johannes Poulsen. From 1927 to 1940 she was engaged at several theaters throughout Denmark and often left the theater to live abroad. In the early 1940s she was engaged at the Frederiksberg Theatre under direction of Svend Melsing and then the Allé-Scenen Theatre under direction of Svend Rindom. From the mid-1940s she rarely appeared on stage, but occasionally performed in radio theater. Astrid Holm made her screen debut for Dansk Filmfabrik in 1917's Søstrene Morelli (The Sisters Morelli) and the following year was under contract to Nordisk Film. Her first film for Nordisk was a role in the 1918 Holger-Madsen-directed Folkets Ven (The People's Friend), opposite Gunnar Tolnæs and Svend Kornbeck. This was followed by several popular films for Emanuel Gregers. One of her most popular roles was as Sister Edith in the 1921 Victor Sjöström-directed Swedish silent Körkarlen (The Phantom Carriage). The film was based on the 1912 novel Thy Soul Shall Bear Witness! by Nobel prize-winning Swedish author Selma Lagerlöf. In 1925 she starred opposite Johannes Meyer in the Carl Theodor Dreyer-directed drama Du skal ære din hustru (Thou Shalt Honor Thy Wife). This would be Holm's last film role for many years. Astrid Holm returned to film in 1942's Ta' briller på, directed by Arne Weel and starring Liva Weel and Hans Egede Budtz. She would appear in four more films throughout the 1940s before retiring from the screen due to failing health. Her final film appearance would be in the 1947 Holger Gabrielsen-directed Mani. Astrid Holm was married to ballet dancer Holger Holm, who died in 1916. During the 1950s, she became reclusive, suffering from a number of ailments. She died in 1961 at age 68.

프로필 사진

Astrid Holm

참여 작품

I Love Another
Discretion Wanted
In order to supplement the family income, Marius Bastrup rents his unused rooms to young women looking for a "discreet stay." The drama in the film revolves around the young women and their circumstances, especially as it relates to one girl's abortion.
Hans Store Aften
Ta' briller paa
Fru Ester Berg
집안의 주인
Ida Frandsen
아내가 얼마나 힘들게 가정을 꾸려 가는지 전혀 모른 채 가족들에게 마치 폭군처럼 군림하던 어느 가장. 이 모습을 지켜보던 유모는 부인에게 집을 떠나라고 권한다. 그럼으로써 그녀는 그가 더 이상 가정이 아닌 집의 주인일 뿐이라는 것을 보여주려고 한다. 드레이어는 촬영소에 실제의 아파트를 완전히 똑같이 세트를 짓게 한 다음 아파트에 사는 일가족의 일상을 그대로 담아내는 실내극을 만들었다.
헥산: 마녀들
Anna
덴마크의 선구적인 영화감독 벤자민 크리스텐슨의 악명 높은 다큐멘터리로 장르를 분명히 규정하기 어려울 정도로 매우 기이한 작품이다. 악마에 대한 옛 사람들의 공포가 정신질환에 대한 오해에서 기인함을 설명하는 탐구로도 이해할 수 있고 동시에 오싹한 공포 영화로도 볼 수 있다. 크리스텐슨은 고대에서부터 중세, 당대에 이르기까지 악령이나 사탄 숭배에 관련한 자료들을 분석하고 재연한다. 그리고 중세에 이르러 이런 망상들이 빚어낸 '마녀 사냥'에 대해 집중적으로 언급하면서 정신병리학적인 접근과 비교한다.
유령마차
Sister Edit
새해 전날 밤, 부인에 대한 증오심으로 자기파괴적 성향을 지니게 된 다비드 홀름은 공동묘지에서 술을 마시며 저승사자에 대한 전설을 떠들다 싸움이 붙어 동료에게 살해당한다. 저승의 규칙에 따라 새로 유령마차를 끌게 된 이 남자는 지난 해의 마부에게 자신의 운명에 얽힌 두 여인의 이야기를 듣게 되는데...
Frøken Larsens Karriere
Towards the Light
Wenka
Countess Ysabel is a young and rich woman with many suitors. An elegant and adventurous baron has managed to win her heart, but she anyway continues to play with other men’s feelings. Nemesis hits her when a young man with a broken heart kills himself, and the baron at the same time reveals a horrible secret. Ysabe'ls world seems to fall apart.
A Friend of the People
Jonna Kamp - Waldo's Wife
The social storm after World War I divides the people. In the eye of the storm are three brothers fighting for the lower classes, each in his own way. Waldo the blacksmith wants a world revolution by power and violence. Ernst the typographer is convinced that knowledge and understanding, enlightenment and education is the way to go. And Kurt the ethereal watchmaker sees society as a malfunctioning clockwork that can be fixed by a simple yet drastic intervention.