Adrienne Read

참여 작품

Garage Days
Co-Producer
The story of a young Sydney band trying to get a foothold in the competitive world of rock n' roll. After the band's first gig is a colossal failure, the lead singer takes it upon himself to go out and pursue the most successful rock manager in the country. Meanwhile, the other members of the band continue to deal with the kind of everyday life issues that can ultimately tear a band apart. It may be the dawn of a new millennium, but it's still a long way to the top if you want to rock n' roll.
Passion
Line Producer
Passion concentrates on Grainger's unusual relationship with his mother and his sexual peculiarities (especially his obsessive self-flagellation, though homosexuality is also hinted at) which affect his relationship with a woman who comes to love him. It is set mainly in London in 1914, when Grainger's mother Rose was ill (she would later jump to her death in New York, upset by ill-founded rumours of incest with her son).
The Custodian
Producer
Detective James Quinlan has left his alcoholic wife, sprouting a bloom of insecurity, anger and self-motivation within him to expose the corrupt police force that surrounds him. He abandons his straight life to join his partner Detective Church in order to get on the inside of the circle of double-agents. He secretly sides with a reporter and an Internal Affairs lawyer to expose them to the press.
Big ideas
Line Producer
Selling compost brings a boy inventor (Justin Rosniak) and his widowed mother (Gosia Dobrowolska) into conflict with their neighbor.
스타스트럭
Continuity
시대를 앞섰던 호주 뮤지컬 영화 은 모든 뮤지컬 명작들이 그렇듯 문화적 유행을 관통하며 여전히 유의미하고 경쾌하다. 조 케네디가 스타 가수를 열망하는 십 대를 연기하고, 로스 오도너번은 조의 경력을 위해 떠들썩한 홍보와 여러 소동을 벌이는 사촌 동생을 맡았다.​ (2021년 제23회 서울국제여성영화제) 재키 멀렌스는 망해 가는 엄마의 술집에서 웨이트리스로 일하지만 언젠가는 가수로 데뷔하겠다는 꿈을 갖고 있다. 동네 탤런트 쇼에서 멋진 공연을 펼친 재키는 같은 쇼에 너온 웜배츠라는 밴드와 만나고 기타리스트 로비와 데이트를 시작한다. 한편 매니저를 자처하는 열네 살 사촌 앵거스는 TV 프로그램인 「더 와우! 쇼!」의 진행자 테리 램버트의 시선을 끌기 위해 계략을 꾸민다. 엉겁결에 군중 앞에서 줄타기를 하게 된 재키는 과연 계획대로 슈퍼스타가 될 수 있을까? 은 질리안 암스트롱이 첫 작품 (1979) 이후 내놓은 두 번째 장편 극영화이다. 두 작품은 모두 여성 예술가를 주인공으로 내세운다는 점을 제외한다면 극단적으로 다르다. 이 작가의 꿈을 키우는 19세기 호주 여성의 경험을 담은 사실적이고 진지한 시대극이라면, 은 주디 갈랜드와 미키 루니 주연의 1930년대 할리우드 영화처럼 복잡함이나 사실성 따위는 포기해 버린 발랄하고 뻔뻔스러운 뮤지컬 코미디다. 단지 이 영화의 배경은 1980년대 동시대의 호주이고 당시의 네온빛 패션과 음악과 열기로 채워져 있다. 오로지 그 시대, 그 공간에서만 존재했던 청춘 문화의 화려한 기록이다. (2021년 제23회 서울국제여성영화제 /듀나)
...Maybe This Time
Continuity
Fran, the assistant to university professor Paddy, is about to turn 30. She is having an affair with a married minister's aide, Stephen. She returns home to the country town she grew up in and has a fling with an old flame, Alan. She also begins sleeping with Paddy.
Cass
Continuity
Torn by the conflict between society and her own life, as well as her failing marriage and love for another woman, Cass desperately tried to pull together the pieces of her shattered life.
Do I Have to Kill My Child?
Continuity
A disturbing drama about a young mother who physically abuses her baby. Feeling overwhelmed and aware that she's not coping after the birth of her third child, she sends desperate cries for help. But her mother, husband, neighbour and clinic sister do not recognise the seriousness of the situation until the baby ends up in hospital with a fractured skull. A heart-wrenching film that illustrates the experiences of many women who suffer from post-natal depression.
One Hundred a Day
Continuity
A young girl is forced to continue working at her machine all day in a 1930s shoe factory after a visit to a backyard abortionist. Based on the short story 'How beautiful are thy feet' by Alan Marshall.