Producer
Just before the launch of artificial moons, a retired couple finds their harbor in the fading darkness. Trying to catch up with the pace of modernity, their daily life traces this forthcoming brightness back to its earthly origins.
Producer
Prabha, a nurse, receives an unexpected gift from her long estranged husband that throws her life into disarray. Her younger roommate, Anu, tries in vain to find a private spot in the big city to be alone with her boyfriend. One day the two nurses go on a road trip to a beach town where the mystical forest becomes a space for their dreams to manifest.
Producer
인도의 어느 대학 영화과 학생 L이 멀리 떨어져 있는 연인에게 쓴 편지가 내레이션으로 낭독되는 가운데 영화는 인도 대학생들의 삶을 담은 파운드 푸티지들을 재구성하여 전개하면서 개인적인 이야기와 가장 첨예한 정치적인 이슈들을 탁월하게 엮어낸다. 2021년 칸영화제 감독주간 상영, 황금눈상 수상.
Production Manager
가족들과 남프랑스로 휴가를 떠나버린 알마에게 깜짝 선물을 할 계획으로, 펠릭스는 편의점에서 일하는 친구와 함께 남프랑스로 향한다. 얻어탄 차가 고장이 나는 등 갖은 고생 끝에 알마를 만나지만, 그녀는 반기지 않는 기색이다. 감독은 인종 차별이나 빈부 간의 격차와 같은 주제를 작품 전면에 내세우지 않고, 시종 코미디 톤을 유지한다.
Producer
It's been one year since prince Diong has mysteriously vanished. As a revolt is rumbling, his sister Pauline receives a message from him.
Producer
A slow movement through a residential neighbourhood, with empty streets, plain facades, as though artificial. A man recounts his story about the first time, attraction, desire, dizziness of the ignition, forgetfulness, complete blackout. The monologue is composed from transcriptions of psychotherapeutic sessions with arsonists, from the period 1960-1980.
Producer
Every day, Anton waits for the night to come. Every night, Alexandre comes and visits him. But this situation can't last, the living and the dead are not meant to meet.
Writer
Every day, Anton waits for the night to come. Every night, Alexandre comes and visits him. But this situation can't last, the living and the dead are not meant to meet.
Director
Every day, Anton waits for the night to come. Every night, Alexandre comes and visits him. But this situation can't last, the living and the dead are not meant to meet.
Executive Producer
A house in the French countryside as a miniature of society: When Audrey arrives, she is confronted with a lecture right away. The landlord tirelessly underlines how progressive he is, and what a unique space he has created outside the urban centres. While his utopia doesn’t seem to leave much space for others, he is surrounded by three other volunteers who work for him. The house isn’t very large so all of them find themselves unable to avoid each other. Starring the remarkable independent filmmaker Virgil Vernier in a blissfully awkward performance, Brieuc Schieb navigates humour, irritation, and intimacy in his meticulously composed first feature – all to face a question not just today’s art world is obsessed with: Who can really bear living in a collective?
