Second Assistant Camera
Set in the aftermath of an oppressive class war, a pregnant officer aboard an escape pod must struggle to survive with her remaining crew when a mysterious and vicious life form attacks, determined to become the dominant species.
First Assistant Camera
For the past forty years, Igor Pasternak has pursued a lighter-than-air vision: to build gigantic airships that haul cargo to otherwise inaccessible parts of the planet. In high school, in Ukraine, Pasternak formed an airship club; at Lviv National University, where he studied civil engineering, he established an airship-design bureau. Eventually, he settled in southern California and started Aeros, which builds blimps for surveillance and other purposes. His prototype cargo airship, the two-hundred-and-sixty-foot-long Dragon Dream, was destroyed in 2013 when its hangar collapsed on it. Unfazed, Pasternak now aims to produce a fleet of “Aeroscraft” cargo airships, the largest of which will be more than nine hundred feet long and able to carry five hundred tons. Pasternak spoke recently with the director and producer Gabe Polsky. Polsky’s documentary, “Red Army,” played at the 2014 Cannes, Telluride, Toronto, and New York Film Festivals, and was released in theatres in 2015.
Visual Effects Production Assistant
Once upon a time, an endless dust storm engulfed the world, stranding an itinerant circus in a time without purpose. One day, a high-wire walker, lured by a tune hidden in the wind, leaves the circus and finds the melody revealed in the shape of a mysterious fiddler waiting at the crossroads. The stranger presents her with an hourglass that can stop the wind, but only until the sand runs out. The wire-walker rejoins the show and, taking control of her fate, decides to walk the wire one last time.
