Location Manager
19세기 미국 북서부, 사냥꾼 일행을 따라다니는 요리사 쿠키는 어느 날 숲에서 발가벗은 채 숨어있는 중국인 킹 루를 만난다. 사람을 죽이고 쫓기는 신세인 킹 루에게 하룻밤 잘 곳과 입을 옷을 챙겨 준 뒤 우연히 다시 만난 두 사람은 의기투합하게 된다. 마을에 들어온 암소에게서 몰래 우유를 짜내서 케익을 만들어 파는데 맛있다는 소문이 난다.
Making their first-ever ACL performance, Carrie Brownstein, Corin Tucker and Janet Weiss provided a setlist that spanned much of their discography. The group’s 2015 comeback LP No Cities to Love was represented by “Price Tag,” “A New Wave” and “No Cities to Love,” while the setlist also featured “Dig Me Out” and “Words and Guitar” off 1997’s Dig Me Out and The Woods‘ “Entertain” and “Modern Girl.”
Herself
This is the third in a film series produced by Fugazi's Brendan Canty and directed by filmmaker Christoph Green. It features live performances by The Shins, Sleater-Kinney, The Decemberists, Mirah, The Thermals, Quasi, The Gossip, Wet Confetti, The Planet The, Lifesavas, The Ready, and Tom Heinl. The crew travels from town to town filming bands performing in houses that're about to be demolished or burned to the ground. In one day they document the house, the bands, and the demolition, then put it together in a 50-minute movie and move on to the next town. Extras include an extended slide show of stills of the day's bands as well as stills of the destruction and film production.
Herself
One record producer, the creators of "Hedwig and the Angry Inch" and top indie rock artists come together to create a tribute album benefiting the Hetrick-Martin Institute, home of the Harvey Milk School- the first accredited high school in the country for LGBTQ youth. "Follow My Voice: With the Music of Hedwig" weaves the compelling, courageous stories of four students at this controversial school with a unique chronicle of the yearlong creation of "Wig in a Box," the album whose songs poignantly echo these teens' struggles and aspirations. Through a dramatic and vibrant combination of verite documentation, student video diaries and rare in-studio scenes of artists recording tracks, "Follow My Voice" offers a powerful and poignant look at this unlikely intersection of youth, gender and rock. Includes studio sessions from Yoko Ono, Rufus Wainwright, The Bens, The Breeders, Yo La Tengo, John Cameron Mitchell, They Might Be Giants and more.
Herself
In this documentary from director Justin Mitchell, the world of the U.S. indie-music scene of the 1980s and '90s is explored, specifically with regard to how it transcended clichés about where music was heading in that era. Taking its title from renowned independent cinema pioneer John Cassavetes, the black-and-white film takes a peek at several fringe bands of the period, including Sleater-Kinney, the Make-up, and the Hi-Fives, and their various attitudes toward the ever-changing business.