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Ahmad Ahmadi

Ahmad Ahmadi

출생 : 1980-12-24,

약력

He was started his career in the cinema industry at 1992 as a backstage cinematograph in the Judgement Day movie, whose director was Shahram Asadi. From 1995 he officially started to work in Iranian cinema photography with the movie Shade to Shade whose director was Ali Jakan, and recognized as the youngest Iranian cinema photographer in the mass media and specialized journals. Besides photography, he was working in the short and experimental cinema as a cameraman. He filmed his first short movie as a director of photography in Nader, son of the sword, whose director was Mohsen Amir yousefi and produced by community of Young Iranians’ cinema. Since 2006 he has actively started to work as a director of photography in the Islamic Republic of Iran’s cinema and Broadcasting. Currently, besides working in photography, he is actively engaged in producing long and short films. One of his recent movies as a producer is Roshanak, whose director is Hosein Ghanaaat.

프로필 사진

Ahmad Ahmadi

Ahmad Ahmadi

참여 작품

Cinematography

Ardalan is an ordinary man with an ordinary job and ordinary salary but his wife, Pooneh couldn`t stand it and wants more and more from him. This greediness of Pooneh makes their life face to some problems

Himself, construction worker

If 18-year-old Sonita had a say, Michael Jackson and Rihanna would be her parents and she'd be a rapper who tells the story of Afghan women and their fate as child brides. She finds out that her family plans to sell her to an unknown husband for $9,000.

Cinematography

Reza is an artist who dreams of traveling to Cannes and meeting the gratest living figures of cinema. He travels to Paris to meet Steven Spielberg and Woody Allen and give his screenplay to them. In the end, Reza who has lost his money because of a fellow countryman, without meeting Spielberg, awaits in a corner of Cannes dreaming he's returning to Iran.

Producer

Reza is an artist who dreams of traveling to Cannes and meeting the gratest living figures of cinema. He travels to Paris to meet Steven Spielberg and Woody Allen and give his screenplay to them. In the end, Reza who has lost his money because of a fellow countryman, without meeting Spielberg, awaits in a corner of Cannes dreaming he's returning to Iran.

Still Photographer

A young taxi driver who is a happy man encounters lots of different stories through his daily life. One day, he is driving a young American woman and he enters an unusual and protracted adventure which he should follow to the end. The American woman has lost the address she is going to refer and it is almost impossible to reach her relatives. The young driver believes that he should help the woman until she finds her relatives and this issue causes many problems between him and his fiancee. He also has other problems regarding the American woman and his unusual friend.

Still Photographer

This comedy narrates the many adventures of a millionaire's handsome, sassy son named Amir - born into a world of privilege, he is used to getting everything he desires. This time his eyes turn to a peerless lady but her untamable will, combined with a sudden rush of plucky hoodlums, makes his task harder than first thought. Will he prevail or will he be in for a rude awakening?